Re: [Harp-L] By the way,,
In a message dated 4/9/2008 12:21:49 A.M. Eastern Daylight Time,
rlaughlin@xxxxxxxxxxxx writes:
again, there's no prohibition on wiggling, dancing, standing on one's head
or tippitoes while playing. I just have a "personal radar" for anything that
is purely and solely derived from a sense of "salesmanship". To me,,it's more
about the music than anything else, regardless of one's need to sell oneself
to an audience for the sake of pecuniary gain, financial security, tips,
etc..
Selling music visually works - remember, the bulk of the population (The
Citizens) perceive music differently than musicians. To them, fancy clothes, big
hair flopping, sparkles, dance moves, etc, add to the experience, as they
don't listen with the same attention we do.
I remember studying with a Brazilian Classical Pianist at College - he was
very emotional and wanted the body to move and reflect the passion in the music
- he would bow to the keyboard, raise his hands in the air after striking
the keys to "draw the sound up", etc. It didn't resonate with me. Luckily I was
also studying with the legendary Howard Lucas privately in Detroit. He was
all about the sound - eliminate any extraneous movement that doesn't directly
affect the sound and concentrate on the sound fully.
This is ultimately the philosophy I've adapted the rest of my life in
working with music and it works for me. It's the introverted approach rather than
the extroverted one.
The Iceman
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