The point to me is who gives a flyin' funnel cake who on a
discussion
list will be remembered twenty years from now. The important
thing is
making the music, period. If someone is debating the relevance and
level of creativity, etc., of this person or that, it is as
useful as
the age-old angels on the head of a pin colloquy. The play is the
thing as the old barde said. If one is caught up in worrying
that the
harp player is considered a second class musical citizen, one is
spending too much time worrying about one's place in some abstract
hierarchy and not spending enough time enjoying playing. Let
history
decide who is considered what. History is not always right, anyway.
There will always be the unsung. There will always be those
innovating in relative obscurity. Stop worrying about it and play,
says I. Ok. Fire away. I have lashed myself to the mast.
Rex "Rich" Tobago
Professional harmonica owner
On May 26, 2007, at 10:33 AM, B Boggs wrote:
With all the posts about creativity and eastern mysticism I am
intrigued. The traditions of the teacher and student in the east
exemplified a focus of diminishing the egos expression in boastful,
strident ways which are driven by fear and ignorance. Bruce Lee had
an enormous ego. He also understood it's penalties.I am not
comparing
any one to Bruce Lee. He was a real artist, in spite of his ego.
I wonder what players will be remembered for their music twenty
years from now.
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