From: hashbb@xxxxxxx
To: harp-l@xxxxxxxxxx
Subject: Re: [Harp-L] Lynwood Slim
Date: Fri, 25 May 2007 19:12:13 -0400
Lynwood isn't Walter Horton, neither is Kim Wilson,
Guyger, Portnoy, many others, etc. They all play classic blues in that
vein,
doesn't mean they sound like or play like them.
Your definition of creative is definately different than mine.
I do think you can be creative in a musical context that has already been
trodden
without being a pure copycat or rehash of what has come before.
I would go as far to say that too many creative elements change the music
so much
that it isn't even recognizable as that form at all. In other words, it
can be cutting edge
and creative as hell, but does that necessarily make it good music? In the
same thought
if cutting edge creativity is not employed is it good music? It's all
highly debatable.
This is, like music, totally subjective and my opinion only.
Interesting food for thought.
HB
-----Original Message-----
From: Eric Garcia <ericgar85@xxxxxxxxxxx>
To: hashbb@xxxxxxx; harp-l@xxxxxxxxxx
Sent: Fri, 25 May 2007 4:29 pm
Subject: RE: Fwd: [Harp-L] Lynwood Slim
i didn't forget anything.Â
i was simply clarifying Chris's point.Â
opinions are opinions... but if you want to break itÂ
down, i personally like hearing him play, but it isÂ
not "creative" in anyway, especially relative to the recentÂ
evolution of the instrument... that's all i'm sayinÂ
.. lynwood's voice it nice, but if i wanna hearÂ
Walter Horton, i'll listen to walter horton. Â
eric Â
Â
From: hashbb@xxxxxxxÂ
To: harp-l@xxxxxxxxxxÂ
Subject: Fwd: [Harp-L] Lynwood SlimÂ
Date: Fri, 25 May 2007 17:04:45 -0400Â
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-----Original Message-----Â
From: hashbb@xxxxxxxÂ
To: ericgar85@xxxxxxxxxxxÂ
Sent: Fri, 25 May 2007 4:03 pmÂ
Subject: Re: [Harp-L] Lynwood SlimÂ
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I guess you forgot to mention that thisÃ?Â
Â
is your opinion and definition of whatÃ?Â
Â
constitues "creative" and "Harmonica"Ã?Â
Â
and your definition of "accomplished harmonicaÃ?Â
Â
players perspective".Ã?Â
Â
Others opinions will definately vary,Ã?Â
Â
which doesn't make any of your claims orÃ?Â
Â
others claims to the contrary any less correctÃ?Â
Â
or any less subjective.Ã?Â
Â
HBÃ? Ã?Â
Â
Ã?Â
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-----Original Message-----Ã?Â
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From: Eric Garcia <ericgar85@xxxxxxxxxxx>Ã?Â
Â
To: chris@xxxxxxxxxxxxxxxxxxxx; rhartt1234@xxxxxxxxxxx;Â
harp-l@xxxxxxxxxxÃ?Â
Â
Sent: Fri, 25 May 2007 2:56 pmÃ?Â
Â
Subject: Re: [Harp-L] Lynwood SlimÃ? Ã?Â
Â
Ã?Â
Â
Ã?Â
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i don't think Chris was addressing any one of Lynwood's seeminglyÂ
endlessÃ?Â
Â
talents...Ã? Ã? Ã?Â
Â
however, this is a harmonica forum...Ã? Ã? Ã?Â
Â
so from an accomplished harmonica player's perspective, one has toÂ
admitÃ? Ã? Ã?Â
Â
that Lynwood doesn't play a lick that can't be found in aÃ? Ã? Ã?Â
Â
"Beginning Harmonica for Dummies" workbook with "bonus" CD.Ã? Ã? Ã?Â
Â
the execution is fine but if we're referring to "creative" andÂ
"harmonica",Ã? Ã? Ã?Â
Â
Lynwood is simply not your guy.Ã? Ã?Â
Â
Ã? Ã? Ã?Â
Â
ericÃ? Ã?Â
Â
Ã? Ã? Ã?Â
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From: "Chris Michalek" <chris@xxxxxxxxxxxxxxxxxxxx>Ã? Ã?Â
Ã?Â
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To: "Ryan Hartt" <rhartt1234@xxxxxxxxxxx>, harp-l@xxxxxxxxxxÃ? Ã?Â
Ã?Â
Â
Subject: Re: [Harp-L] Lynwood SlimÃ? Ã?Â
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Â
Date: Fri, 25 May 2007 07:23:37 +0000Ã? Ã?Â
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Ã? Ã?Â
Ã?Â
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well were both MN boys and I've heard him and played with him
severalÃ?Â
Â
times.Ã? Ã?Â
Ã?Â
Â
Ã? Ã?Â
Ã?Â
Â
Maybe I don't hear blues the way most of you do...to me he soundedÂ
averageÃ?Â
Â
to above average in a kim wilson kinda way. Good player but not soÃ?Â
Â
creative but then again there are very few harmonica players that IÂ
find toÃ?Â
Â
be creative.Ã? Ã?Â
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Ã? Ã?Â
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Ã? Ã?Â
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>-----Original Message-----Ã? Ã?Â
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>From: Ryan Hartt [mailto:rhartt1234@xxxxxxxxxxx]Ã;? Ã?Â
Ã?Â
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>Sent: Thursday, May 24, 2007 11:52 PMÃ? Ã?Â
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>To: harp-l@xxxxxxxxxxÃ? Ã?Â
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>Subject: Re: [Harp-L] Lynwood SlimÃ? Ã?Â
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>Ã? Ã?Â
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>>From: "Chris Michalek" <chris@xxxxxxxxxxxxxxxxxxxx>Ã? Ã?Â
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>>Ã? Ã?Â
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>>Just a run of the mill traditional blues harp player.Ã? Ã?Â
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>Ã? Ã?Â
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>Man, calling Lynwood Slim a "run of the mill traditional blues
harpÃ?Â
Â
player."Ã? Ã?Â
Ã?Â
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>is like calling the Mona Lisa a painting of some grumpy chick.
FirstÂ
andÃ? Ã? Ã?Â
Â
>foremost, Slim has the sweetest voice you'll ever hear. He's a
BluesÃ?Â
Â
croonerÃ? Ã?Â
Ã?Â
Â
>for lack of a better term but he can put across a deep blues likeÃ?Â
Â
nobody'sÃ? Ã?Â
Ã?Â
Â
>business. Secondly, he plays harp like Walter Horton because heÂ
learnedÃ? Ã? Ã?Â
Â
>from Walter Horton but he is also a very sophisticated and melodicÂ
BluesÃ? Ã? Ã?Â
Â
>chromatic player. While we are all trying to sound like GeorgeÂ
Smith,Ã?Â
Â
he'llÃ? Ã?Â
Ã?Â
Â
>slip in "Parker's Mood" or "Bye By Blackbird". The smooth vocalÂ
deliveryÃ? Ã? Ã?Â
Â
>juxtaposed with the low down harp make for a very interestingÂ
contrast.Ã? Ã? Ã?Â
Â
>Combined with his choice of material and approach to performing it,Â
he isÃ? Ã? Ã?Â
Â
>genuinely unique in the traditional Blues singer/harp player
market.Â
ButÃ? Ã? Ã?Â
Â
>wait there's more...He is a great flautist. A true blues flautist,Â
whoseÃ? Ã? Ã?Â
Â
>already melodic approach to the humble harmonica is amplified withÂ
theÃ?Â
Â
rangeÃ? Ã?Â
Ã?Â
Â
>of the flute. He is a great producer and engineer. He has workedÂ
withÃ?Â
Â
someÃ? Ã?Â
Ã?Â
Â
>of the US's and Europe's finest traditional Blues bands deliveringÂ
dozensÃ?Â
Â
ofÃ? Ã?Â
Ã?Â
Â
>high quality records. I'll bet that a lot of you have somethingÂ
thatÃ? Ã? Ã?Â
Â
>"Richard Duran" produced, mixed or arranged and you don't even knowÂ
it.Ã? Ã? Ã?Â
Â
>Lastly, he's just about the nicest guy you ever met.Ã? Ã?Â
Ã?Â
Â
>Ã? Ã?Â
Ã?Â
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>So yes he's "run of the mill" in theÃ? Ã?Â
Ã?Â
Â
>multi-talented-completely-original-super-nice-guy kind of wayÃ? Ã?Â
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>Ã? Ã?Â
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>RyanÃ? Ã?Â
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