Re: [Harp-L] An alternative view on the future of the harmonica



I believe I already addressed this problem. In 1959 I came up with a diatonic with the 5th and 9th draw reeds tuned up a semi tone and a windsaver on the 5 blow. Do it and you will open up a lot of pop that was heretofore unreachable by anyone who wasn't a very advanced over draw and over blow klepto.

As for the harmonica diminishing, I watched bits and pieces from several movies just yesterday which had wee doses of harmonica. Also, several times PER day, I hear harp on commercials. I (personally) think there's more harp around now than there was a generation ago. But then, I'm talking U.S., your environs may be experiencing a different level of involvement.

smokey joe & the Cafe s

On May 25, 2007, at 7:43 AM, Serguei Volkov wrote:

The discussions surrounding the future of the harmonica,
its popularity and lack thereof have one flaw: they
are confined mostly to blues and jazz, two essentially
"unpopular" genres.

In order to gain widespread popularity and recognition,
the harmonica must tap into popular music. And popular
music is, essentially, 90% major pentatonic.

The problem with the Richter diatonic is that it does
not allow to easily rock out on a clear, full major
scale across more than 1 octave. Addressing that issue
is, I believe, the key to unlocking the full potential
of the diatonic harmonica as a popular instrument.

Regards,

Sergei Volkov
~
http://www.myspace.com/outlawbe
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