Re: [Harp-L] New Richard Hunter piece at Broadjam.com



"Blues for Charlie" is recorded on a Dorian-tuned harp played in 5th position. In other words, standard tuning with draw 3 and draw 7 tuned down 1/2 step, with blow 2 (e on a C harp) as the tonic note. So in this case the 5th degree of the scale is flatted. It's a sound with a lot of emotion, mostly sad.

Thanks, RH

Rick Dempster wrote:
Sorry Brad, for the cross post; I forgot to hit 'reply to all':
Richard;
              That's a mighty sound. By the way, I'm curious about
'Blues for Charlie' (is that McCoy, Parker or..?) which I thought was
very good. Without conducting a prac. experiment, my ears suggest that
this is performed on a melodic minor tuned harp; Yes?
RD


Bradford Trainham <btrainham@xxxxxxxxxxxxx> 15/05/2007 17:01:55

C Minor? An F diatonic, or are you playing a chromatic? With the octave doubler, I'm guessing if you wanted, you could execute
that one live, right? I enjoyed this one for its feel. It also facilitates my giving myself
permission to pursue a secret notion of mine, to wit, a rotary patch
I'm still perfecting with my M-Audio Blackbox processor. Every once
in a while, I thought I heard either a tremolo or rotary setting
applied to your harp, but on listening again, I think I realized it
was your hand doing that.
Thank you again for putting that up there. It gives the more
"recently baptized" among us a lot of good food for thought. Will there be a third act of "being free"?
Brad Trainham
On Mon, 14 May 2007 23:19:18 -0400, you wrote:


Hi all,

i just uploaded a new recording to my site at Broadjam.com. It's a

piece of slow, burning funk titled "In the Night," heavily influenced
by
Junior Walker. The harp plays the role of the big Texas tenor sax, of

course. The recording can be found at:
http://www.broadjam.com/rhunter


The piece includes two harmonica lines, both recorded with an Audix Fireball mic through a Digitech RP-200. Both the RP-200 sounds on the

recording are from my patch set for the Audix Fireball. The first
sound
is the "Twdhrd" overdriven tweed amp patch that leads off my patch
set;
the second is the "Twd-8" patch that features another tweed amp model

with a low octave doubler effect. I recorded the harp part first with

the second patch, then played the part again with the first patch to give it more "cut." (Now that's old school.) The sound is, like, big.

Very big.

Comments on "In the Night" are welcome.

Thanks and regards, Richard Hunter
hunterharp.com
latest mp3s always at http://broadjam.com/rhunter


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