Re: [Harp-L] Mustang Sally (cover tunes)
What's up with that Mustang Sally stuff? I really enjoy playin' that tune.
Does that mean I 'aint a serious harp player? OOO no, I just realized that I
do it on the sax too.
My motto is, "if it feels good, play it!!"
I've been playing some kind of instrument or another on Mustang Sally
since 1969. I still get into the groove of it, (when the band is tight) and
I never play the same thing twice on my lead unless I do the lead on the sax.
I always see how much funk I can get away with in between the bass player
and the drummer. It's always fun to do. One of my favorite things to do when
playin' cover tunes is to play harp on songs that don't traditionally have harp
on them at all. For example "Jesus Just Left Chicago" and "La Grange", or
"Honky Tonk Women." I'd much rather play those songs then "Road House Blues" or
"Long Train Runnin".Yea, those tunes have been done to death, but if they's
a payin," then I'm a playin." So I'm very much with you when you state what's
below my post.
I guess "serious" is a subjective opinion. I figure "serious" is
somebody that plays with an all out, play from your heart on every song that
you play kind of harp player. Just me.
Randy
BiscuitBoy Blues
In a message dated 5/10/2007 8:13:27 A.M. Eastern Daylight Time,
wlb@xxxxxxxxxxxx writes:
Brad,
Please don't apologize for playing anything. I think it is way cool that you
have the talent to pull off the Tull riffs and that your band is open mined
enough to let you do it. One of my biggest beefs is this concept that
certain things are below the "serious" harp player's radar screen. A great
example is the ridiculous argument that playing Mustang Sally is a disgrace
for "serious" players. We are entertainers first and foremost in 99% of the
gigs we play. My guess is that when you play Tull on harp eyes get wider and
people dig the bad-ass sound that your tin-sandwich puts out. Rock on
brother, rock on
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