RE: Subject: Re: [Harp-L] Real creativity
While I certainly acknowledge and appreciate the greatness of the likes of Ricci, I guess what I'm lamenting is that when I ask the question, the answer IS Ricci! Unlike most other genres where the list of greats goes on and on, in the category of (blues) diatonic harp, the list appears short--so short, that the same handful of names repeatedly gets trumpeted. But then I guess I should be grateful that they do make the list non-empty....
-----Original Message-----
From: EGS1217@xxxxxxx [mailto:EGS1217@xxxxxxx]
Sent: Sun 5/6/2007 4:21 PM
To: harp-l@xxxxxxxxxx
Cc: Barnum, Ansel (Ansel); leone@xxxxxxxx; jevern@xxxxxxx
Subject: Subject: Re: [Harp-L] Real creativity
SmoJoe responds to Barnum Ansel's query with "Jason Ricci"
"On May 6, 2007, at 11:54 AM, Barnum, Ansel (Ansel) wrote:
>
> Recently I'm beginning to become disillusioned with my childhood
> harp heroes. Last night I heard one of them in concert which was
> admittedly a great show. However, it was the same one I'd heard
> last year, the year before, and so on going back to when I first
> heard them ten years ago. And that seems to be the trend amongst
> most in my harp pantheon. Yes, they conceived of great music at one
> point in time, but they don't continue to do so, instead replaying
> the great ideas they (or someone else) thought of in the past. And
> even those that do periodically come up with new material on a CD
> just rehash it like a jukebox in concert.
>
> So my question is: Where is the *real* creativity? Who are the
> musicians that play something fresh every time a harp meets their
> lips? I certainly appreciate that the diatonic harp and blues form
> imposes constraints that chromatic jazz players do not face. Which
> is why I'm searching for those geniuses able to break through these
> barriers to that zen state of art. Who can I turn to for
> inspiration of exciting, dynamic, creative music that continuously
> flows into the instrument--in this case, a diatonic harp?
>
>
> Ansel
>
> _
Jason Ricci"
.....and while I believe Jason probably comes the closest to fulfilling this
impossible task....the question itself poses almost insurmountable
difficulty for ANY musician...no matter their instrument.
What singer or instrumentalist changes their style and approach, coming up
with innovative and "new" music each and every time out? Vern made some very
good points about how an audience would neither appreciate nor accept that
from an established artist.
Jason certainly does always strive to play his best and differently every
time out, for each performance...but he and New Blood also have their
"standard" songs their fans want and demand to hear....that's the whole point of
having a following. An evening spent at one of their gigs wouldn't be as complete
or satisfying for me if they didn't do Blue and Lonesome (sung as only Jason
can)...and Sonja - a gorgeous and fairly new instrumental. Now there're a
new couple of brand new songs added to the repertoire which might eventually
rival those two as my favourites, but I'm not complaining.
While understanding a fan tiring of the "same old, same old" after years,
...there is a wide gulf between hearing the same concert from 10 years ago and
expecting "something fresh every time a harp meets their lips". Surely you'd
allow for some middle road? If some of your heroes have gotten bogged down
only in the old, well it might be time to attend a Live show of an innovative
player such as Jason Ricci.
You MIGHT be wrung out and need to be walked for a while in order not to be
put away dripping wet afterwards _Click here: Internet Archive: Details:
Jason Ricci and New Blood Live at Morristown Unitarian Fellowship on
2007-03-10_ (http://www.archive.org/details/jrnb2007-03-10.flac16) ..click on
"Drifting Blues" from this particular night's download. That alone should be
enough to give you an idea of how he plays :) I'll guarantee you won't be bored,
and you just might find that well of exciting creativity you seem to be
seeking.
Elizabeth
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