Re: [Harp-L] who's blowin' reggae
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] who's blowin' reggae
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Sun, 18 Mar 2007 10:02:07 -0400 (GMT-04:00)
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- Reply-to: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
Michael Rubin wrote:
<...I love being in a reggae band because the music is great and because harp
<has rarely played an active role in it. There was a harp player in Bob Marley's
<band by the way, he focused on flute. It really frees me up to play my own style
<without worrying about being untraditional.
< I mostly play 2nd and 3rd with overblows (although I have occasionally played
<an unusual position for fun), a little chromatic. I double or harmonize some hyorns
<lines. I use a bassman with a Yamaha Magic Stomp effects box that gives me around
<10 usable effects. I can add delay, volume swell, crunch, faze sounds. I also
<play thru the vocal mic for some sweeter tones.
< Although there is certainly lots of minor tunes in reggae, we play plenty of major
<songs. I find that just like blues, there are musical handshakes to be found repeatedly
<in reggae and the more I listen and play it, the quicker I recognize what the band
<is going to do next.
That about covers it. I especially like the effects stuff. If you're going to play something outside the blues, you might as well use some sounds that you wouldn't hear in a traditional blues band.
Regards, Richard Hunter
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