Re: [Harp-L] But when it comes right down to it,,

["46long Blake" <46long@xxxxxxxxx>]

No, I haven't heard the clip yet (darned work filters!) but I think that you
express an important aspect of anyone who wishes to be more, dare I say,
"professional."  I've always referred to it as "knowing when to shut the
heck up." Perhaps with more colorful language...

Yesterday, someone posted a clip with Big Walter accompanying a "star"
singer. The poster commented on the tastefulness of his backing licks.  I
agree, but herein lies the rub of backing licks. How many of us have heard
players in a "backing" role - i.e. when someone else is soloing or singing -
and they just keep wailing away. This isn't just a problem for harp
players.  For me, though, especially when I'm playing with a full band (duo
work is a whole different monster), I try to be very conscious to let the
music, the melody, and the other players shine. Am I contributing to the
good, or distracting from it. Lots of times, perhaps more so these days, I
find myself in the role of "on-stage cheerleader" with my harp and mic at my
side an not at my mouth when it's someone else's turn to shine. No need to
clutter the musical palate.

I'm still workin' on it. Just all part of my education.....

- Blake


On 3/13/07, Bob Laughlin <rlaughlin@xxxxxxxxxxxx> wrote:
> I think what bothers me the most about the harp player is how much he
> reminds me of myself, trying my best to achieve recognition. Maybe it's
> because he's standing, when the rest of the band is sitting. Who knows.
>
> Again,,I think in listening to the old blues masters, it seems that they
> just play the music, sing, and get out of the way. It's not so much a
> vehicle for them to get noticed as it is them providing a vehicle for the
> music. There's not so much of this modern-day compulsion to mention who
> played what, etc.
>
> Just a personal observation.
>
> It's about the music.
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--
Blake Taylor
http://46long.com
http://www.myspace.com/46long