[Harp-L] Vibrato Technique
As a three year player who has heard lots about vibrato and the way to
create a deep, melodious one using my diaphragm, I would like to challenge
explanations I have been given with my own conclusions, and wait to get
torn apart. Simply, it has been explained to me that the diaphragm is the
key to a deep vibrato. I believe this, but it has historically been
described to me in isolation. I believe, for me anyway, that the only way
to get a good diaphragmatic vibrato is to use it to create a "back
pressure", or area of "negative pressure", using your epiglotis. In
isolation one can argue that it is all about the diaphragm, and to create
such a "negative pressure", it is. The problem I have is that I can use my
diaphragm, that big muscle for prolonged periods, but generally only in one
direction or the other. I certainly can't "vibrato" it. To try and do a
deep, rhythmical vibrato from the diaphragm with a completely relaxed
throat and mouth is damn near impossible. I am persistent though, so if
enough people convince me of the error of my ways, I will conquer this
diaphragm issue, if in fact it is the way to go. So, in conclusion, in my
narrow and short experience, I believe the vibrato is a combination of a
"negative pressure" created with the epiglotis being somewhat closed, or
modulated, whilst the diaphragm creates the "negative pressure" which
pulses the air through the harp. At the same time, it is the interaction of
the epiglotis and the base of the tongue that creates the bends, or partial
bends which embellishes the vibrato and gives it it's classic aural
signature. If in fact it does not involve the epiglotis, but does have the
characteristic bends, how can you do that with a fixed, relaxed throat
position, and have simply the airstream modulated in intensity through the
instrument, with the diaphragm?Surely this would pulse volume, but not
create the bends.
OK, I'm ready for the heat.
Reg
Tony Renshaw
Sydney Australia
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