Re: [Harp-L] in memory of elizabeth reed
- To: harp-l@xxxxxxxxxx, garry@xxxxxxxxxxxx
- Subject: Re: [Harp-L] in memory of elizabeth reed
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Tue, 12 Jun 2007 18:02:41 -0400
- Cc:
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net; b=LBeNPthht0D+oJtam4dfqR3RDMQgu4GGaRvmaPYwXxPkDf0Ra7tUo8T2eLX+FQrn; h=Received:Message-ID:Date:From:Organization:User-Agent:MIME-Version:To:Subject:References:In-Reply-To:Content-Type:Content-Transfer-Encoding:X-ELNK-Trace:X-Originating-IP;
- In-reply-to: <200706122031.l5CKVRn4011322@harp-l.com>
- Organization: Turtle Hill Productions
- References: <200706122031.l5CKVRn4011322@harp-l.com>
- User-agent: Thunderbird 1.5.0.12 (Windows/20070509)
Garry Hodgson wrote:
<...does anyone have any thoughts on how best to play this? position,
<key, etc?
<what would really help is if you could explain your thought process,
<i.e. how would
<you analyze this song to decide on the approach you recommend?
This song basically has two parts--the head section, which is pretty
complex harmonically and melodically, and the jam section, which takes
place over two chords.
For the jam section, 3rd position on a G harp would probably work. The
song is in A minor overall, and the jam is over A minor and D6 chords.
A Dorian minor harp in A minor or a Natural Minor in A would work too,
but you'd have to careful about the flatted sixth on the Natural Minor.
(But you could play an E natural minor in 1st position and it would work
fine.) A C Chromatic played in A minor, or a G chromatic played in 3rd
position, would work very well too.
For the head section, you will either have to use multiple diatonic
harps, or play some wickedly chromatic lines on a diatonic, or use a
chromatic. Some time ago I bought a copy of the "The Allman Brothers
Band--The Definitive Collection for Guitar", volume 2, , which contains
not only the heads for their songs, but transcriptions of the guitar
solos as well. The head for "Elizabeth Reed" traverses two or three
minor keys, and it's nothing I'd care to try on a diatonic.
You can work the notes out by ear, but it might take a while--it's
roughly the level of complexity of a Charlie Parker solo. To save time,
I would suggest buying a copy of the Allman Brothers songbook
referenced above, and either match the notes of the melody to particular
diatonics, bar by bar, or use a chromatic. The latter is what I'd
really recommend. There's plenty of precedent for playing melodies on
chromatic and solos on diatonic--Little Walter did it all the time. In
this case, given that the solo is in A minor, a G chromatic might be
just the thing.
Regards, Richard Hunter
hunterharp.com
latest mp3s always at http://broadjam.com/rhutner
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.