Re: [Harp-L] that darn E harp
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] that darn E harp
- From: Doug Schroer <dougharps@xxxxxxxxx>
- Date: Tue, 5 Jun 2007 14:17:53 -0700 (PDT)
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Re: [Harp-L] that darn E harp
In a message dated 6/5/2007 10:22:28 A.M. Eastern Daylight Time,
special20@... writes:
So I was TRICKED into buying the F#, and B, and I just hope that some day...
I will find them useful.
Tue Jun 5, 2007 11:32 am
Why not use these odd keys for a week of practice each - even though you
don't use them a lot in real music situations, they are fun to explore from a
sonic perspective. I've even used a high F# harmonica to practice low down
Chicago TB ideas, bending w/tongue down. Granted it sounds like breathing helium
and speaking, but you can work out a lot of your challenges and problems on
"odd" key harmonicas and apply what you learn to your real life situations.
The Iceman
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I find that I mainly use those keys when playing with guitar players that tune down a half step. I Originally bought them to sit in with a band that was playing Stevie Ray style blues.
I was fortunate that I had them when called for one of my first studio gigs, and the guitar player and band were tuned down...
Doug
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