[Harp-L] Tube Options
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Tube Options
- From: B Boggs <ceudoazul@xxxxxxxxx>
- Date: Thu, 5 Jul 2007 15:50:46 -0700 (PDT)
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TheMessage: 5
Date: Thu, 5 Jul 2007 06:32:10 EDT
From: BiscuitBoy714@xxxxxxx
Subject: [Harp-L] Re: Tube questions
I've asked a few times on the lists here about knowledge of my Pearce
G1
amplifier head and Chandler real tube overdrive I got in a trade and
never heard
from anybody. I read about it, or at least what I could find on
Harmony
Central's website. The Pearce head gets rave reviews for an electronic
head. The
Chandler real tube overdrive only had one review to look at. It didn't
really
give me much info other than the guy thought that it was a pretty good
unit.
This thing is made in the US and has a 12AX7 tube in it. I'm going to
try
and use the combo of these two things to get somewhat of a tube sound
going for
harp and guitar.
I'm moving back to KY next week and I've got some killer
players
lined up to work with, one of who runs the guitar end of the biggest
music store
in Lexington. He can really help me with guitar sound but he aint a
harp
player. That's my job. Can any of yall at least help me figure the
best tube to
put in the overdriver? I'm wanting the harp part of this combo to
sound the
best so I'm thinkin' a 12AU7 in the tube unit (if I can get it taken
apart
without killin' it) This Pearce head has 100 watts and two separate
channels
that you can use individually or together. I'm gonna set up the best
channel for
harp and then use the other one for guitar. I'll be playing mostly
rhythm
doing power rock from the 60's 70's on guitar and a lot of blues on
the
harp/sax. Can I get a decent guitar sound with the 12 AU7? Do yall
think it's worth
it to find NOS tubes? What brand of tubes is best for harp? Can I use
the
tube overdriver by itself in the studio and at jams when I'm only
playin' the
harp to good effect?
I've got a lot of friends back home and I can probably
borrow a
small tube amp for harp but I would really like to use these two units
I have.
1. because it's somewhat unique and 2. I don't want to have to lug two
amps
around and I gotta have the big 100 watt head to do any Cream kind of
power
rock. My buddy has a custom Marshall head and 2 custom 4 12 cabs that
he's
using. I gotta have 100 watts if I'm gonna play any guitar with that.
He's so
good he could pull off the guitar all by himself but he's a kind guy
and will
let me play some guitar just cause it gets me off. All the guys in
this group
are killer. I'm really looking forward to it and I want a slick, tight
sound
the first time I play with 'em. Please HELP!!!
Randy
BiscuitBoy Blues
PS I'll finally have the help I need to put down REAL tracks. You
all
will hear it first.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~(((!)))))
Hey Randy,
Here is a comparison for the type of tube series your amp/overdrive use;
where a 12AX7 is 100 in gain; then to lower gain (and increase amount you might turn up without feedback- thus driving output tubes to get into distortion) you could try a 12AT7 (or 5751), then a 12AY7, then a 12AU7...
so the comparison of tubes follows-
12AX7 rated 100 in "gain" or value
12AT7 " 70 " "
12AY7 " 40 " "
12AU7 " 20 " "
There are other variants of tubes that potentially could alter, or "tweak" the sound that could be experimented with. Any one with a tube stash could let you try different tubes?
In terms of best tubes, lots of opinions and choices.
USA made NOS when they are strong and available at a fair price are my preference.
Hey, I am buying American and a piece history. This could be a whole area of discussion..
Hopefully your guitar friend will have a source and variety for you to experiment with.
Tung-Sol, RCA, etc., lots of choices, if you can spend some time swapping tubes with a friend or two who trust their hearing to find the sound your like.
Speakers have a big effect on sound, along with microphone, room dyanmics,stuff you already know.
BB
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