My inbox can't take this plagiarism thread any longer...it's
beggin' for
mercy, please take this off-line.
-----Original Message-----
From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@harp-
l.org] On Behalf
Of Vince Meghrouni
Sent: Monday, July 02, 2007 5:58 PM
To: harp-l@xxxxxxxxxx
Subject: [Harp-L] Plagiarism
Ok, it's time to come clean.
It was me. I performed the Little Walter solos note for note.
And some Big Walter ones. And James Cotton. Mea maxima culpa.
I await approbation.
I suppose I should really come clean now. I also tried to be
sneaky and played them also in retrograde. There's no use in
hiding any more. It was me also who played the entire 27 chorus
Paul Gonsalves solo from Diminuendo and Blue at Live at
Newport. Fits nicely into Mystery Train. A few blow bends
necessary that took an afternoon to get around. And the savvy
in the audience I'm sure were pillorying me for my dastardly
reduction of Varese's Ionization which I used as an introduction
to my own composition "She Got a Waggle L'ak a Broke Down Humpy
Dumpy", for which, I am ashamed to admit, the lyrics were stolen
verbatim from the Molly Bloom chapter of Ulysses. Well, I do
add a little of my own regional dialect for authenticity.
I feel so ashamed.
Rex "Chugalug" Tobago
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