[Harp-L] Re: Add to list
Sonny Terry and Blind Boy Fuller. In my seminars I will show the progression
of Sonny's playing as it went from very very shrill with BBF, growing with
Woody Guthrie, then with Brownie McGhee. One of the most clearly recorded and
best of Sonny's amazing, at some points just ridiculous playing, called Sonny
Terry and His Mouth Harp, with Alex Seward on guitar, recorded in NYC in
1953, when Sonny was truly at his prime. Looks to be on the Riverside label. His
Fox Chase is one song I still work on, and won't perform until fully
perfected. I have the rhythm down and take it to my own level with whoops and
hollers, it is the falsetto hound voices he makes you better make sure you are in
key with. I know Joe Filisko does a nice interpretation of it, the bottom
basis of it is something people from my seminar will leave with being able to do,
allowing them to play continuously and breathe correctly, big key in his
playing. When I practice I generally play non stop off rhythms for 1 - 2 hours,
no break, no catching your breath. Hate to sound Zen like, but after the first
hour or more you become one with the instrument, there is no thinking, as
long as you have control of the harp itself, all its bends and intricacies, you
can go off on a line then back to the rhythm, making is sound as if the
rhythm was there the whole time. We're gonna have some fun.
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