Re: [Harp-L] Tasty harp, circa 1979 (stage presence)
In a message dated 2/8/2007 4:40:17 A.M. Eastern Standard Time,
Aeskow@xxxxxxx writes:
Way good point Johnny. Working the room right and having the crowd
with ya makes the hole gig a lot more of a gas. Plus they are a lot more
forgiving if ya make mistakes. I used to sit on the edge of the stage while I
played harp on Dock Of The Bay and it never failed to bring people over to dance
or whatever next to me with these great big smiles on their faces. I always
insist on a 50 foot mic chord so I can get out in the crowd while playing the
harp. I've done that cordless some but I like using a chord for some reason.
The crowd is always real polite about the chord stretching into them and
stay off of the chord too. I invite them to sing with me on Roadhouse blues too.
The sound man catches it and makes sure that it's not a complete overkill by
turning the mic down when they sing with me. Everybody just loves to do the
"I woke up this mornin' and I got my self a beer" part. Show love to the
crowd and they love you back. That's some of what I do, I'd like to hear what
others do too.
Peace Love and crowd response
Randy
Johnny Winter's rack-harp/bassist in this clip is Jonny Paris, who used to
play bass in my old band in NYC some 30 years ago. Recently, he's been
gigging in the downstairs lounge at B.B. King's club in New York. I took
Mitch
Weiss down there to jam a while back, and Mitch played a killer version of
"Black Magic Woman" on his CX-12--nailing the riff without ever having
played it
before, I might add...It's not a jam set-up per se, but Jon's a big fan of
other harp players and welcomes talented ones to sit in. Never a great
technician by any means, Jonny epitomizes the kind of harp-player who can
transcend
his lack of monster chops by knowing how to work a room--a subject I feel
is
too rarely touched on in this forum.
Peace and Respect
Johnny T
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