[Harp-L] minor keys
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] minor keys
- From: "Jim Alciere" <jim.alciere@xxxxxxxxx>
- Date: Sat, 29 Dec 2007 08:52:20 -0500
- Cc:
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to:subject:mime-version:content-type; bh=wYT5rF1O3Y2rz4DKhjhvO/jO6t3OUf1LyFntR+8ET/Y=; b=tzana8Rq4GXPfAWuP0wSh1HvZ0xxYTW3dzPplBF8y/xtYFs+Os1Pb1B24URknCmFgWeHPHq0Ttyni+UcvRtm8tY7tDheRfz2b+xkugFK0xF2vbmwxW69BoicJXO3WWEKEdKMb7ssVyr+BjmLM0KuCqpccJpBqDxXQNv70O/HXZE=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type; b=bvcwW0QlrqpWFrYIX8Jl4wDIhXOG2AwbBadN5U2GZ6oq6XIAc3OOjp7IRwJ0YNQZXEq/SbQ18J9zcZutgqNcRaM+u25XdiMIC1lvj5MzUaVT9Qwi2I8F+5aGG0ctXRe+bZFMZiVXO8CbI5li+GTfUYkDf4C0P4vOlgyducwR1hI=
Spent happy hours yesterday playing minor key harp with a buddy to a
collection of hip hop drum loops I bought myself for Christmas. Fun. Got the
'48 champ playing along with synthesizer drums. A nice irony going.
I also recorded a harp riff with some harp switching between a G in third
and a harp that's in A Dorian in 2nd. Funny thing is it's hard to hear any
difference because I have a tendency to drift up to the high notes when I
play third.
Maybe it's cheating but if you keep most of your playing from the 4 hole up,
and play lots of octaves, third position is real easy. Much easier to do all
that 3 hole bending in third when jamming because I can hear when I'm off.
4th position is real nice and easy as well, I can't really bend the tonic
note because it's a blow note but oh well. I'll
Some things I remember when I actually practice for more than a week that I
forget usually:
I can get a nice attack on the low notes with just a K sound but it tends to
bend the notes and sound discordant on the holes higher than 3 so I use a
tongue slap for them. Hole #5 draw on the Lee Oskar is especially finiky and
gets flattened in a not fun sort of way.
Keep the harp all the way in the mouth--massive improvement in sound. The
mic is one finger away from the mouth.
Do the vibrato thing from the belly.
Relax the shoulders.
Relax the mouth. I personally find it's easier to get a good tone with
tongue blocking just because it forces me to keep my mouth open and not
squished up. I can do that with pucker, but I have to remember.
I like a full cup on the mic and I keep the harp about a finger away to get
a little echo chamber going.
If I remember all the different pieces needed for tone, I can sound okay on
a lousy rig. If I forget, I get a lousy thin tone even through a nice rig.
--
Rainbow Jimmy
http://www.spaceanimals.com
http://www.myspace.com/theelectricstarlightspaceanimals
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.