Re: [Harp-L] 10 hole German major valved chromatic
- To: fjm <mktspot@xxxxxxxxxxxxxxxx>, h-l <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] 10 hole German major valved chromatic
- From: Mark Russillo <jruss433@xxxxxxxxxxxxx>
- Date: Mon, 27 Aug 2007 10:05:26 -0700 (PDT)
- Cc:
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- In-reply-to: <46D2F8B0.8040409@aztecfreenet.org>
Perhaps I missed your point.
Nevertheless, I agree about the inspirational aspects of the "Gallisons" you mention. You also make a good point about time investment. We must all be our own, harshest critics or we are doomed to mediocrity and, of course, progress is relative.
Mark Russillo
a.k.a. The Rhode Island Kid
fjm <mktspot@xxxxxxxxxxxxxxxx> wrote:
Clearly when you hear the William Gallison's of this world stunning tone
and fluidity on a chromatic are possible. For me personally I don't
think the obstacle is expectations. I'm slowly making progress and i
accept that the speed of my progress is directly related to my
investment in time. My post is more a reaction to the thought that good
tone is good tone across the board. It isn't for me. These are two
completely different but related instruments. fjm
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