[Harp-L] SPAH
Back home from SPAH, my fourth time at the annual harmonica
extravaganza. I can only pass along some of my own impressions. I spent
all four days there, arriving about 1:30 p.m. on Wed.
I wanted to get there early enough to check in and then catch the blues
harmonica showcase, which is always an eye-opener and a great way to
start the week. I won't even try to describe each player, but it's
humbling to watch. Adam Gussow, PT Gazell, Joe Filisko, Dennis
Gruenling, my Minnesota friend Bruce "Creeper" Kurnow... hmm. .was
Winslow onstage too? Winslow was everywhere so please forgive my aging
memory. THis was hosted by Jason Ricci, who had each player show a
little of what he did, and then talked about it.
There were so many great players again this year. And good seminars,
too. I will certainly agree that SPAH needs to seriously examine where
it will be in a few years, but I will also say that there was something
for everyone here. From 88-year-old show biz veteran Jerry Adler, who
said this was his last public performance, to 13-year-old speed demon
L.D. Miller, to blues veteran Charlie Musselwhite, to masterful Brendan
Power, etc. etc.
I enjoyed myself. Maybe a little too much a couple of times :)... but
that's another story.
Some of my highlights:
* hallway jams with Jimi Lee
* visiting with other Harp-L'ers
* listening to Ben Nathanson and Warren Bee (two of my favorite
players)
* hanging a little with Warren Bee, whose "Blues for Breakfast"
seminar was great. It allowed people to just talk about their harp
ambitions and how they got involved with the instrument. The talented
and charismatic Mr. Bee also spent some time showing this struggling
player about fifth position, which was one more step for me in the
right direction.
* playing in the corner of the hallway with a small group of
bluegrass/country musicians led by Cara Cooke and Lonny Joe Howell.
That was lots of fun and they all helped me immensely. Special thanks
to that group.
* My last musical shot at SPAH came LATE Saturday night when I
picked up the acoustic bass after Allen Holmes called it a night and
then got into a (almost) never-ending last song with Joe Filisko, who
was playing guitar for the diehards at the blues jam. We played for
nearly an hour on the same 12-bar progression and my fingers are still
sore... My harp-playing at the blues jam sucked as usual...
* Also got to visit a little with our Harp-L friend "Smokey" Joe
Leone, who always adds more than just his wonderful musical ability to
these events.
* Talking about nice guys with monster harp talent, we have to
mention PT Gazell and Jellyroll Johnson, both Nashville musicians and
guys who can (and have) play with any number of big stars. No big egos
with these guys, who are there in the blues jam and in the hallways and
at the teach-in.
* Also, 16-year-old Kaleena Hutchings was seen in the hallway
playing Orange Blossom Special, backed by Bud Boblink and Frank Warner,
another bright spot, seeing a teenager playing like that with a pair of
veterans. I also later saw them playing with PT Gazell and that was
superb.
THis is just off the top of my head, but I certainly felt that I got
my money's worth of fun and instruction.
Now, I need to practice. A lot.
Steve "Moandabluz" Webb
a fool for the harp in rain-soaked Minnesota
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