Re: [Harp-L] Seydel 1847 & Serious Blues in Roanoke
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Seydel 1847 & Serious Blues in Roanoke
- From: "Tim Moyer" <wmharps@xxxxxxxxxxxxxxxxxxxx>
- Date: Mon, 23 Apr 2007 17:58:49 -0000
- Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=lima; d=yahoogroups.com; b=rVIHHRiCY0UarCJ9aWCi/S2DPuGIIPGynfTxEWrS8OHGolGouddwBtYpPK/v+CZejCLB53vhAS9IMuq+KHLLUksa9INLC3bZ+G2Uuq607V0VO1pc7sRbN4JCK1sCgBZL;
- Sender: notify@xxxxxxxxxxxxxxx
- User-agent: eGroups-EW/0.82
Cliff Hall wrote:
> I noticed that Tim Moyer listed polishing the reed plate
> edges as one of the tasks he had applied to his. Tim - was
> this because of sharp edges, excessive protrusion, or something
> else? How did you polish them? Any info appreciated.
They are not completely flush, though the protrusion is minimal. I
used to detest protruding reed plates until I figured out a simple
way to polish them smooth. I use 0000 (that's four zeros, or "four
aught") steel wool. You can get this anywhere they sell painting
supplies (even Wal Mart), and I just tear off a little bit and wad
it into a small ball and, after removing the plates from the
harmonica body!) rub it back and forth lengthwise a few dozen times,
until the plate edges are smooth as silk. Be careful not to tangle
it in the ends of the draw reeds that face the front! I found that
this in combination with the already excellent finish on the front
edges of the 1847 comb's tines make a very comfortable playing
surface.
-tim
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.