Re:[Harp-L] Poor Man's Chord harp--Diatonic Diminished tuning
- To: harp-l@xxxxxxxxxx
- Subject: Re:[Harp-L] Poor Man's Chord harp--Diatonic Diminished tuning
- From: "Tim Moyer" <wmharps@xxxxxxxxxxxxxxxxxxxx>
- Date: Thu, 12 Oct 2006 12:43:54 -0000
- Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=lima; d=yahoogroups.com; b=P8F/Kd+JBwxFoiZfjL+B1rR7oMpHWDg8jzYApmuk7mPVnP12DQGPcZ9KHhI2uok0c8nKuq6/KH6hk2bbqehu4kZ0xKRATw3LnBBRTVdijsEHCjc/usNhtKQy7dW7xeva;
- Sender: notify@xxxxxxxxxxxxxxx
- User-agent: eGroups-EW/0.82
Gary Lehmann wrote:
> I just retuned an unsuspecting LO in C to a half-whole scale-so
> it's two diminished seventh arpeggios, one for draw, one for
> blow.
>
> I didn't see this tuning in Pat Missin's list-odd, since it
> gives you a chromatic scale with the half step bends. And lots
> of fun to jam on.
<snip>
> PS. I don't know about any standard diminished diatonic tuning,
> that's why I tried my hand at this one.
G wrote:
> What you list is the tuning people generally mean when they talk
> about "diminished tuning" for diatonic harmonica. It is listed in
> Pat Missin's "Altered States" TNGS005.TXT under
> "Diminished Tuning - AS 5.3c"
Gary's tuning is very similar to the Diminished tuning detailed in
Pat's Altered States AS 5.3c, the difference being the interval at
hole 7 to the flat 5th, then picking up the pattern again with the
ommission of the minor 3rd. I assume this was done for convenience
of tuning, to reduce the amount that the upper reeds would need to
be moved.
As I pointed out in a post about a month ago
(http://launch.groups.yahoo.com/group/harp-l-archives/message/45148)
it's far easier to make a regular diminished tuned harp starting
with solo tuning, where there there is a regular pattern repeating
every four holes per octave. In fact, starting with a 12-hole solo
tuning, the draw plate only has three notes that need to be
altered. The blow plate is a little more involved, but nothing more
than three semitones.
-tim
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.