RE: [Harp-L] re: Diatonic-sounding chromatic?

["Michael Peloquin" <peloquinharp@xxxxxxxxxxx>]

> From: Jonathan Ross <jross38@xxxxxxxxxxx>
> I don't think any chromatic comes particularly close to the sound of  a 
> diatonic (though I also don't think they are that far apart to  begin 
> with).  Probably Bill Barrett is the person who I think has the  most raw 
> tone on chromatic I've heard, and he plays CX-12s  (modified?).  ...

> As for reeds, there is very little difference between the reeds used  in 
> chromatics and those used in diatonics (if any).  I think the  difference 
> in sound comes mostly from two factors (other than playing  style): first, 
> the valving of the notes.  This makes a big  difference, as can be seen 
> when you valve a diatonic.  Second, the  air leakage inherent in a 
> slider-based system.


Good points Jonathan-
I would add to the difference factors:
The distance from the lips to the reed slot is much greater on the 
chromatic. It is still very much a harmonica. (NOT an accordion or melodica)
Bill Barrett's rawness seems tp come from his use of bends, 
double-stops/chords and his nasty raw amp/mic tone.



Michael Peloquin
http://tinyurl.com/5tpjg
http://www.harpsax.com

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