Re: Re: [Harp-L] Modes, was 3rd Position Tunes

["Tim Moyer" <wmharps@xxxxxxxxxxxxxxxxxxxx>]

Chesper Nevins wrote:
> In my mind, this whole issue of "do modes = positions" is 
> actually simple.
> 
> If no bends or OBs are played, then a position equals a diatonic 
> mode (the Greek modes).  If no bends or OBs are played, then the 
> Greek modes are relevant because they, like the harp with no 
> bends, are constructed from the diatonic scale only.

In my mind, this is *precisely* why positions do not strictly equal 
modes on the standard 10-hole harmonica tuning.  In the low octave, 
you can't play any complete scale without bends of some type.  So, 
if you have to bend even to play a major scale in the marked key, 
what's the difference in adding a few bends to play a ionian scale 
and adding a few different ones to play a dorian scale.  

I will agree that it's much easier to play in some modes in some 
positions, but limiting oneself to playing only in the 
mode/position "equivalents" makes it far more difficult to play 
pieces that have interesting changes.  

-tim

Tim Moyer
Working Man's Harps
http://www.workingmansharps.com/