RE: [Harp-L] J. Geils

["Eric Neumann" <eneumann@xxxxxxxxxxxxxx>]

Don't forget there are sort of two versions of this tune. One off of
"The Morning After" and the other off the Live album.

-----Original Message-----
From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx] On
Behalf Of James Sterett
Sent: Friday, March 10, 2006 11:11 AM
To: fjm; Rick Siekmann; h-l
Subject: Re: [Harp-L] J. Geils


A harp (2nd pos. key of E)

http://coast2coastmusic.com/diatonic/whammerjammer.shtml

>>> "Rick & Dana Siekmann" <dsiekmann@xxxxxxxxxxx> 3/10/2006 11:57 AM
>>>
While we're on the Whammer Jammer subject...does anyone happen to know

off-hand what key harp Magic Dick is using?  (I know, probably everybody

does except me.)

Though the song right now is way over my head, I'm getting ready to make
a 
run at anyway in an effort to spread my wings a little bit.

Thanks.
----- Original Message ----- 
From: "fjm" <mktspot@xxxxxxxxxxxxxxxx>
To: "h-l" <harp-l@xxxxxxxxxx>
Sent: Friday, March 10, 2006 8:32 AM
Subject: Re: [Harp-L] J. Geils


>
> Richard Hunter writes:
>
>> From conversations with Pierre Beauregard, a Boston player who spent
a
>> lot of time with Magic Dick in the 70s and 80s, I'm pretty sure
that
>> Magic Dick did a lot of tongue blocking.  Which technique he used at
any
>> given point in any recording is something I don't know.
>
> And I've always heard Whammer Jammer talked about as being tongue
blocked 
> but now I'm not so sure.  You certainly could play it all using
pucker. 
> There aren't any splits or octaves or corner switches in it. The
reason I 
> wonder is this particular recording was very influential for a
generation 
> of harmonica players.  If it's tongue blocked then it's amongst the
most 
> disciplined examples I've ever heard.  None of the characteristic
> techniques are employed.  Very precise.  I have never spent any time

> listening to the first J. Geils recording, I guess I'll have to hunt
it 
> down and give it a listen.  fjm 
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