This was clear not only by the tonal properties and tonal
immitations/replecations but also by his NOTE CHOICE and PHRASING,
VIBRATO
and other techniques added. There are great things you can do with a
mute
and some work way better than others. Dennis has found most of them and
inspired me to play the thing once a night. I have tried not to let the
sound of the thing dictate what/how I'm gonna play but it's hard after
hearing D.G. Do it. Additionally on a side note I won't do it if the
sound
and or sound man sucks.
Jason
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