Re: [Harp-L] Musselwhite overblowing or alternate harptuning?



Yes, it's all there. I heard it too.  charlie has always experimented with playing in different positions and it seems to me he does what he can to advance his playing.

OB'ing isn't that difficult. I teach all of my students how to do it right along with bending.





>-----Original Message-----
>From: Ludo Beckers [mailto:ludobeckers@xxxxxxxxxxx]
>Sent: Monday, July 31, 2006 12:07 PM
>To: harp-l@xxxxxxxxxx
>Subject: [Harp-L] Musselwhite overblowing or alternate harptuning?
>
>I just listened to Charlie Musselwhite's new cd Delta Hardware, and heard something strange on the last track, Blues for Yesterday.
>At 3'58 there's clearly an overblow 6 (G harp) ór an alternate tuning on the top end of the harp.
>It even sounds like a 7 overdraw, as a quick passing note, in the lick at 4'06.
> 
>I don't have the cd cover, since it's a review copy that strangely enough came without booklet.
>Maybe there's something in the liner notes about this?
> 
>I'm just curious because I know Charlie never got into ob-ing, and I'm not aware that he ever used an alternate harp tuning.
>Anyone heard about the old dog learning new tricks? 
> 
>Ludo
> 
>  
>
>_______________________________________________
>Harp-L is sponsored by SPAH, http://www.spah.org
>Harp-L@xxxxxxxxxx
>http://harp-l.org/mailman/listinfo/harp-l
>






This archive was generated by a fusion of Pipermail 0.09 (Mailman edition) and MHonArc 2.6.8.