[Harp-L] Musselwhite overblowing or alternate harptuning?
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Musselwhite overblowing or alternate harptuning?
- From: Ludo Beckers <ludobeckers@xxxxxxxxxxx>
- Date: Mon, 31 Jul 2006 19:07:52 +0000 (GMT)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.co.uk; h=Message-ID:Received:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=t7oL+iR4ULOqHIXdt2NLaUWlXY9JRLiytmFvXT4/9vkI/gINE0F+aXqsGgH5epdsS1o6DlRQjGZLciV+5Zy6K1m2E1kSA+kcMBG3rfzEsQ6/lVrjy3GXWIKXWMXviKGRWIfcG9oqFnABqMR1qeqHtpo4v2L2Tmk3pNbV4+Jd238= ;
- In-reply-to: <200607261234.k6QCWUHW013553@harp-l.com>
- Reply-to: Ludo Beckers <ludobeckers@xxxxxxxxxxx>
I just listened to Charlie Musselwhite's new cd Delta Hardware, and heard something strange on the last track, Blues for Yesterday.
At 3'58 there's clearly an overblow 6 (G harp) ór an alternate tuning on the top end of the harp.
It even sounds like a 7 overdraw, as a quick passing note, in the lick at 4'06.
I don't have the cd cover, since it's a review copy that strangely enough came without booklet.
Maybe there's something in the liner notes about this?
I'm just curious because I know Charlie never got into ob-ing, and I'm not aware that he ever used an alternate harp tuning.
Anyone heard about the old dog learning new tricks?
Ludo
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.