Re: [Harp-L] Blues And C&W
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Blues And C&W
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Mon, 24 Jul 2006 20:14:13 -0400
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- Organization: Turtle Hill Productions
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Aeskow@xxxxxxx wrote:
<And in reference to a recent series of threads, it's important to point
<out that the black influence--specifically, the African one--on country
<music and bluegrass can hardly be overstated..."
I worked with Charlie McCoy on a project for Oak Publications in 1980,
and the first thing McCoy told me was that when he came to Nashville, he
was mainly a guitar player, and secondly a harmonica player whose
playing was completely out of Little Walter. He told me that he still
listened to Little Walter whenever his own playing was stuck in a rut,
and he always found something to inspire him there.
The second thing he told me was that he discovered after a little while
that Walter's style was not right for Nashville, and at that point
Charlie -- who is a very, very smart guy -- set out to develop the
smoother style that defined country harmonica for decades.
By the way, I forgot to mention Mike Stevens, whose playing has been
heard on dozens of Grand Ole Opry broadcasts, in my previous list of
prominent country harmonica players.
Regards, Richard Hunter
hunterharp.com
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