Re: [Harp-L] Blues, harmonica bands, and novelty acts




Rock and jazz are often said to have come out of blues; I kind of assumed this was a true statement but after reading this thread I wonder if this is true.


Seems to me Louis Armstrong is "early jazz" (not alone, but a good example) and the genre in the early jazz scene was Dixieland or Dixieland like and jazz is not I-IV-V music; this is really far from the blues, happy spirited music performed by happy, full of life people. With respect to Rock, we are talking I-IV-V music and yes blues is I-IV-V music but so is almost all European music and so was all early pop music. Early blues were question and answer type progression, rock was never like that. Blues emphasises blue notes, rock tries really hard not too otherwise it doesn't sound like rock it sounds like blues. Rock blues came later after rock.

Getting back to Dixieland music, where did that come from? New Orleans, now New Orleans way back then, was full of fun loving, lively Accadians and Acadians where french people deported from New-Brunswick and Nova Scotia. Perhaps the french invented jazz, YES, way cool - I like that, jazz was not invented by americans, it was invented by expatriated french canadians.

Now that we know were jazz originated, where did rock come from?

Pierre.









----- Original Message ----- From: "Winslow Yerxa" <winslowyerxa@xxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Saturday, July 22, 2006 12:52 PM
Subject: [Harp-L] Blues, harmonica bands, and novelty acts



--- In harp-l-archives@xxxxxxxxxxxxxxx, "James" <wasabileo@...> wrote:
<big snip>

BTW Borah Minoveth and the Harmonicats were regarded as "Novelty
Acts" and light entertainment

<another big snip>


So were the early blues records - the ones that actually sold. They
featured jaunty rhythms and melodies, and lyrics designed to shock and
amuse, frequently with subject matter that no upright, churchgoing
person would allow in their homes - sexual innuendo, talk of
drunkenness, violence and cruelty - anything that would get the
attention of the listener, no matter how crass and lurid.

Both blues and early harmonica bands were sold to the public as
novelty acts. Doesn't mean they weren't any good. The quality of
writing and the level of musicianship in those harmonica bands was
extraordinarily high - just listen to the records and ignore the
promotional photos. A number of the teenagers who played in those
bands later went on to careers as highly respected performers and
arrangers - Pete Pedersen, Leo Diamond, and Richard Hayman, to name three.

The rest of your post makes the point that blues is good and profound
music. No argument from me on any of that. But blues is not the mother
source of  American music - even for the African American community.
It's one thread of many in the musical fabric.

Winslow






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