[Harp-L] u-block aka tongue curl (with an "Iceman" and D. Barrett reference)



Hi. I no longer post very much but love to scan the submissions. A recent post on u-blocking (aka tongue curling in the post) has me indulgently interested. I have never been academic about the harp. I'm 50 and started when I was about 16 0r 17. My tone has always been sort of Butterfield like. It is quite deep organically and has been my best feature. Some time ago I realized I play differently. Maybe it was because I couldn't replicate other players well or one of D. Barrett's Masterclasses sensitized me to it or an instructional tape/ book illustrated a typical tongue block. Then I read here about the u (curled) block. So it seems I u-block very strong and unambiguous single notes with a good tone and tongue block chords. Does anyone have any sound samples of u vs. tongue-blocking. While I know that learning tongue block extensively (and maybe some puckering which I have always felt has a relatively anemic tone) would be musically correct I would rather take the path of least resistance and maximize my organic playing method. I guess there's no masterclass for u- blockers. Interestingly, some years ago in San jose at what I think was one of David Barretts first masterclasses I was hanging out with a friend of Lee Oscar's and he insisted I sign up for the jam contest in a local club. There must have been 40 or so contestants. I remember "Iceman" won first place and I won third. 90 or more % of the players were tongue blockers and there was this NYC imported u- blocker. I think the reason I placed was because I was a little different while retaining an authentic bluesey-tone. I still have my Lee Oscar signed a-minor prize. As it turns out one of the "Icemans" students (Brian of harpgear.com) is now building me an amp. p.s. Although it is not a value of mine to be a "speed" player I find u- blocking keeps me pretty slow in my executions. dennis




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