Re: [Harp-L] Tuning
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Tuning
- From: "Tim Moyer" <wmharps@xxxxxxxxxxxxxxxxxxxx>
- Date: Tue, 17 Jan 2006 14:36:33 -0000
- Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=lima; d=yahoogroups.com; b=Y6CcG6gVwbJGqN4QgmUECgP/LDQg6/x/FEuGYvBEly+YgsYx82nFiUNVFAeUZ+f+RoyUqDH9Z8pKqko0zfURdWVnJZ48+KA1wzObfr4NTTNO9+nkTbZzz3YC2hvGWRCl;
- Sender: notify@xxxxxxxxxxxxxxx
- User-agent: eGroups-EW/0.82
Colin Fulton wrote:
> I am wodering how much you can retune a reed with both methods used
> (scraping off material and adding solder), can you get half steps,
> whole steps or greater?
It's really hard to answer question like this without some context.
Low reeds have a lot more material that can be removed in order to
alter the pitch, while high reeds are smaller and thinner. It's
generally no problem to change a reed by a wholetone in pitch, but on
high-pitched reeds even a semitone might be a problem.
If you're, say, raising the pitch of a low, weighted reed -- say the
one blow on a low F -- there's an awful lot of material that you can
scrape away. If you're trying raise the pitch of a small, high reed
-- say the 10 blow on a regular F -- you need to be really careful not
to file/sand/scrape right through the reed.
-tim
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.