Re: [Harp-L] Boogie on Reggae Woman
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Boogie on Reggae Woman
- From: Joe and Cass Leone <leone@xxxxxxxx>
- Date: Fri, 13 Jan 2006 18:24:25 -0500
- Cc:
- In-reply-to: <63B2C326-8489-11DA-AB59-000A95DE5A16@ewol.com>
- References: <20060113210758.31514.qmail@web60313.mail.yahoo.com> <63B2C326-8489-11DA-AB59-000A95DE5A16@ewol.com>
Yeah, the only note that's tricky is the B that has to be blown down to
a Bb. All the other blow bends are reasonable. There's nothing mystical
about the tune. I mean, when Steveland does it it's 'magical' but not
mystical.
I use a spl-20 Ab harp without valves, but I have an old Huang
Silvertone without valves that does fine for practice. Only problem is
the Huang is in C. I think the thinner reeds allow a lot easier blow
bending. Either that or it's easier because the Huang is up quite a bit
higher (at C) than Ab is. Using a valved harp is a little squirelly up
in the high range. At least for me.
I was always afraid of the high range anyway, that is until I
discovered 'Piccolo' harps. Those dang things allow you to use an
octave higher than stock while STILL staying in the low end of the
harp. I like the more familiar (and easier) lower end. Trying to use
the high end brings in that 'everything flips' syndrome, The blow notes
wind up being higher than the draw notes. THAT gives me fits. Only a
real man can work the high end of a harp (cleanly).
Tried to call Stevie but he is out of town (country actually), so I
sent a letter.
smo-jo
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