[Harp-L] Re: was Danny Boy now Paddy
On 12/10/2006 8:08:17 PM, Steve Shaw (moorcot@xxxxxxx) wrote:
> Paddy Richter is a whole tone up on 3-blow, not a
> semitone. I'm a voice in the wilderness here, but I tune
> up 2-draw instead of 3-blow. You end up with the same
> notes as the "usual" Paddy Richter. Don't ask me why
> I've stuck with it all these years but I have. Tuning
> up 2- draw means you don't even have to take the
> reedplate off. I'm not claiming that as a good reason
> for doing it my way, but it helps... ;-)
Actually, it makes good sense to me. For one, you have 3 octaves in
which there is an easy draw breath pattern between D and A [on a C harp]
that fits your favored Trad or Celtic music nicely, yes? Also, you don't
lose the first C-E-G chord either, right? I'm sure there are other
reasons, but these stuck out to me.
Of course, Tim had even more intriguing counterpoints! :-)
Interesting...
Bobbie
P.S. I too like Mox's "Rice Paddy"! OTOH, if you suddenly switched to
using more tongue-block and became a nudist, we may all start calling you
"Paddy-Tongue Bare"!! Ay, wot? Now, wouldn't that take the biscuit!
The "Paddy-Cake", of course!! ;-)
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