[Harp-L] Epi Intonation Tuitional Question
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Epi Intonation Tuitional Question
- From: Tony Renshaw <tonyrenshaw268@xxxxxxxxxxxxxxx>
- Date: Thu, 14 Dec 2006 09:06:23 +1100
- In-reply-to: <200612131914.kBDJ92sQ012362@harp-l.com>
- References: <200612131914.kBDJ92sQ012362@harp-l.com>
Gidday,
I am wondering if the better players have an opinion on whether they
alternate with tongue and then epiglotis articulation in their playing, to
play faster, and yet let each have a momentary rest by see saw ing between
them?? My harmonica teacher doesn't spend a lot of time using epi
articulation in normal playing, although he has a vibrato to die for and it
is one of his trademarks here in Aussie. I would also like to ask a simple
question.............it seems speed is directly dependant on the message
getting through, that you need the end of a note to be the beginning sound
of the next. That is why the epi allows a rest of sorts as well. It seems
that the epi is best for bent notes, as the deeper articulation has a
natural bending quality anyway. Any advice on articulation Ta-Ga-Ta, vs
Ta-Hut-Ta, or any others would be much appreciated. Same with any patterns
around the blues scale. I have been using Jason's 2 forward, one back, and
I reckon it will help immensely once I become submerged in it.
Reg
Tony Renshaw
Sydney Australia
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