Re: [Harp-L] 12th position - more on fiddle tunes
- To: harp-l@xxxxxxxxxx, otisharp@xxxxxxxxxxxxx
- Subject: Re: [Harp-L] 12th position - more on fiddle tunes
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Tue, 12 Dec 2006 22:44:25 -0800 (PST)
- Cc:
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=auTp8+qlAvp+igAEC2Fg9B3fc+Cc9SSRyOfmIwJnV++FxyEtQrzjtxGi/Ojj+K2VWF1WZJuZKcpEyHCdZmgwx0IJRFeV9tqIl2T+KuVU2mZWyP+HfFajyHcm+GusNlGUAITcLjFJGKvp+B9PbDdPaoUMK98V7Noy1TXtrerY3ng=;
- In-reply-to: <66757.2696.qm@web50803.mail.yahoo.com>
Earlier I detailed reasons to study 12th position for trad/fiddle
tunes.
Later another one occurred to me.
let's say you ahve a G mixolydian tune. YOu're playing it in second
position on a C harp. The chords keep alternating between the tonic (G)
and the flat seventh (F). Studying 12th position (F on a CC harp) will
give you more fluidity over the F chord, whether you're improvising or
playing a set melody.
Winslow
--- Winslow Yerxa <winslowyerxa@xxxxxxxxx> wrote:
> Actually, everybody who plays fiddle tunes/trad music should study
> 12th
> position.
>
> Partly because some tunes lie well in 12th and allow key changes to
> other tunes in other positions, as Steve notes.
>
> But also because some first position tunes have significant chunks
> that
> end up feeling like 12th (Jig of Slurs for instance) while some
> Dorian
> tunes in 3rd will go to the relative major - 12th again.
>
> The 12th-y bits of those tunes can feel awkward if you're not used to
> the position, but can be very comfortable if you've sussed out 12th -
> pentatonic scale, partial chords both closed and split, octaves,
> apreggios, etc.
>
> Winslow
>
> --- Steve Shaw <moorcot@xxxxxxx> wrote:
>
> > >Nice position, eh? Twelfth has a lot to offer but tends to be
> > >overlooked in the blues world because its default notes are major
> > >(although the blues "flat five" is built in). Works great for a
> lot
> > of
> > >major stuff, though.
> > >Winslow
> >
> > Some nice possibilities in Irish music too, all the better because
> it
> >
> > enables very nifty "key"-changes in medleys without having to
> switch
> > harps.
> > A few that work on a low D harp, which means that you're ostensibly
> > playing
> > in the key of G (at least that's what you tell the guitar man), are
> > Cronin's
> > Hornpipe, Gillan's Apples and The Turnip Jig (Paudy Scully's
> Slide).
> > You
> > can play Dirty Old Town in 12th too.
> >
> >
> > http://mysite.wanadoo-members.co.uk/trad_irish_harmonica
> > HEAR my CD clips: http://www.gjk2.com/steveshaw/cd.htm
> >
> > _________________________________________________________________
> > Windows Live? Messenger has arrived. Click here to download it for
> > free!
> > http://imagine-msn.com/messenger/launch80/?locale=en-gb
> >
> > _______________________________________________
> > Harp-L is sponsored by SPAH, http://www.spah.org
> > Harp-L@xxxxxxxxxx
> > http://harp-l.org/mailman/listinfo/harp-l
> >
>
>
>
>
>
____________________________________________________________________________________
> Do you Yahoo!?
> Everyone is raving about the all-new Yahoo! Mail beta.
> http://new.mail.yahoo.com
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
____________________________________________________________________________________
Need a quick answer? Get one in minutes from people who know.
Ask your question on www.Answers.yahoo.com
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.