[Harp-L] re: intonation and such
Paul M wrote:
"So, I guess what I understand from your reply is that players should
make
good choices when deciding which of the three distinct diatonic
'sound-alities' to use for a particular purpose; in other words . . .
don't
choose to play something like Ode to Joy using a 'sound-ality' that
doesn't
sound good when playing it . . ."
Exactly. That said, I also believe that the naturals are much easier
in these terms than the accidentals. Rarely do you have to avoid a
natural note because it will stand out in a negative way.
"OK . . . well, I'm glad we got that straight . . . I agree
wholeheartedly"
Glad to hear it. I must have been mistaken when I got the opposite
impression from a previous post of yours in this thread.
()() JR "Bulldogge" Ross
() () & Snuffy, too:)
`----'
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