Re: [Harp-L] V7 scales -> the tone clock (WAS dim. half whole ->
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] V7 scales -> the tone clock (WAS dim. half whole ->
- From: Ludo Beckers <ludobeckers@xxxxxxxxxxx>
- Date: Mon, 17 Apr 2006 20:03:50 +0000 (GMT)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.co.uk; h=Message-ID:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=4AXaCG4ZTwShaUUi8Fd7aoHnT92p7T0tsqYZfZ7MombVwaxLFpz9NXk2qRPrUMW5S2cdQdBhNhCVWrgUb7IPwVRbk2Iwcu23ZObAl2hP7gJgKAjI1dg1O89d5nNum4fkX4MZLMPitACDd/Ac+uKa7aeSnt90zOUEUC96ijl6MSM= ;
- In-reply-to: <200604171828.k3HIQ0CL004147@harp-l.com>
- Reply-to: Ludo Beckers <ludobeckers@xxxxxxxxxxx>
Wim Dijkgraaf wrote:
<<On my website, you can find an example of a graphical representation of
the dominant seventh scales as mentioned in a previous posting.
URL: http://www.wimdijkgraaf.com/index.php?menuid=107
That's stuff I might look at again when my music theory is a bit more advanced (give or take a few years).
I did notice though, browsing quickly through the jpegs, that you put Gb9#5 with an E natural in it, and no F.
An error, or again theory I'm not familiar with yet?
Ludo
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.