[Harp-L] Re: dim. half whole -> another perspective
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- Subject: [Harp-L] Re: dim. half whole -> another perspective
- From: Ludo Beckers <ludobeckers@xxxxxxxxxxx>
- Date: Sat, 15 Apr 2006 09:02:18 +0000 (GMT)
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- Reply-to: Ludo Beckers <ludobeckers@xxxxxxxxxxx>
Wim Dijkgraaf wrote:
>large SNIP<
<With these subsitutions you are able to construct the following scales:
G Ab Bb B C# D E F G (substitution 1 & 2)= Dim. Half tone
G Ab Bb B C# D# F G (substitution 1,2 & 3)= Dim. Whole tone
G A B C# D E F G (substitution 2)= Lydian Dominant
G A B C# D# F G (substitution 2 & 3) = Wholetone
G Ab Bb B C D E F G (substitution 1) = Don't know the name
G Ab Bb B C D# F G (substitution 1 & 3) = Don't know the name
G A B C D# F G (substituion 3) = Don't know the name:
<Hope this is worth a penny.
Ofcourse it is, but it might be worth a million if I could listen to, or look up, some examples.
Do you know any particular tunes where which substitution is used?
(short question anticipating a long answer, I realize ;-))
Ludo
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