Re: [Harp-L] harp tuning
----- Original Message -----
From: "Jim McBride" <jpmcbride@xxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Wednesday, October 19, 2005 8:35 PM
Subject: [Harp-L] harp tuning
Thanks to whoever it was that posted the links on harp tuning. I've read
all this before, but this was the clearest explanation I've seen. The
bottom line is really pretty straight forward. Equal tuning sets each note
to the exact pitch and allows melody and single note playing to sound
best. Just tuning adjusts a few of the pitches so that the intervals are
correct - this makes chords sound good. Do you harp tuning experts out
there agree with this simple explanation? Now a few questions for the
experts...
1) Why don't I hear about Equal vs. Just tuning on other instruments that
play both single notes and chords? You never hear guitar or piano players
discussing this. Why only harp?
Because harmonica reeds give off many many more harmonic overtones than a
guitar string does, especially the odd numbered ones that tend to be very
harsh to the human ears.
2) I like to play SP20's but can't find any info on how they are tuned. I
believe they are Just tuned because I know that my Herring 1923 is Just
tuned and the SP20 sounds very close to it. Does anyone know how Hohner
tunes SP20's?
They're tuned exactly like the hand made Marine Bands are.
3) Is the 5 draw one of the notes that get adjusted for Just tuning? I
have a particular song, "Little Wing" by Jimi Hendrix (E minor) where I
play a simple 3rd position solo with a D harp. I have a 5 draw in the solo
and everytime I play it I hear it slightly off. Its close, but I can tell
something is wrong. I thought maybe I was accidentally bending it, or that
the particular SP 20 I used was out of tune. But now I'm thinking its the
Just tuning. Should I get a Golden Melody which is Equal tuned to solve
this?
Yes.
4) Does anyone have a straightforward chart on the factory tuning for
particular harps? What I had in mind was taking a harp and checking it on
my chromatic tuner and adjusting it back to the proper factory tuning. For
example, the chart might tell me that my 5 draw should be tuned 20 cents
sharp from the intended note.
They generally use a standard pitch of A442-A443 because if a harp was truly
tuned to A440, when played hard, it would be actually be playing closer to
A438, which would be VERY flat against a guitar tuned to A440.
All Lee Oskars, Golden Melody, and Suzuki's are tuned to equal temperament.
Hering 1923 Vintage Harps are tuned to 7 limit just intonation (the same way
MB's/Sp20's used to be tuned to 20 years ago), and the MB/Sp 20's use the
following comprimise tuning:
Hole # 1 2 3 4 5 6 7 8 9 10
Blow 0 -12 +1 0 -12 +1 0 -12 +1 0
Draw +2 +1 -11 +2 -12 +3 -11 +2 -12 +3
The Hohner MS diatonics (Big River, Cross Harp, Blues Harp, Meisterklasse,
Martin, Tiffany, MS MB) uses this one:
Hole # 1 2 3 4 5 6 7 8 9 10
Blow 0 -10 +1 0 -10 +1 0 -10 +1 0
Draw +2 +1 -9 +2 +3 +3 -9 +2 +3 +3
The 7 limit just intonation that's used on the Hering 1923 Vintage Harps,
MB/Sp20's/Blues Harp/Old Standby's prior to 1985:
Hole # 1 2 3 4 5 6 7 8 9 10
Blow 0 -14 +2 0 -14 +2 0 -14 +2 0
Draw +4 +2 -12 +4 - 29 +6 -12 +4 -29 +6
From 1985-89, the MB/Sp20/Old Standby/Blues Harps used 19 limit just
intonation, which is as follows:
Hole# 1 2 3 4 5 6 7 8 9
10
Blow 0 -14 2+ 0 -14 2+ 0 -14 2+ 0
Draw 4+ 2+ -10 4+ 2+ 6+ -10 4+ 2+ 6+
Hope this helps.
Sincerely,
Barbeque Bob Maglinte
Boston, MA
http://www.barbequebob.com
MP3's: http://music.mp3lizard.com/barbequebob/
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