[Harp-L] 1. How We Can Save the Chromatic Harmonica from Possible Extinction (randy singer)
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] 1. How We Can Save the Chromatic Harmonica from Possible Extinction (randy singer)
- From: Steve Merola <srmerola@xxxxxxxxxxxxx>
- Date: Tue, 04 Oct 2005 09:54:43 -0400
- User-agent: Mozilla Thunderbird 1.0.2 (Windows/20050317)
Hello Harp l
As a professional drummer for over 30 years I am very used to hearing
wisecracks about drummers "hanging around" with "real" musicians.
I now perform on harmonica(s) as well, and for some reason the same
prejudice is still applied. However, jazz players will say to me, "Oh,
then you're really playing an instrument" when I tell them I also play
chromatic, or "the big one with the button" as they know it. I have sent
samples of my harmonica playing to various friends and professional
contacts who know and respect me musically. They are valued by me, due
to their unfailing ability to tell me when I stink, yet the only
positive musical comments I get are regarding the songs I play on
chromatic. For some reason the difficulty of bending to pitch on a
diatonic is not appreciated by "normal" people (those who don't play
harmonica). Most jazz or classical listeners find the chromatic very
appealing. The chromatic is simply a different sound, especially when
recorded, and used in a creative way. My MBs don't sound like my Suzukis
and neither sounds like my Hard Bopper. There was a recent posting
regarding Stevie Wonders new CD and it states that he used both
chromatic and diatonic. All prejudice is wrongminded, especially musical
prejudice from people who claim to be musicians.
Peace
Steve Merola
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