[Harp-L] Re: Effects
- To: Harp-L <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Re: Effects
- From: BassHarp <bassharp@xxxxxxxxxxxxx>
- Date: Mon, 21 Mar 2005 09:19:42 -0500
- Cc: Tom Ball <havaball@xxxxxxx>
- Domainkey-signature: a=rsa-sha1; q=dns; c=simple; s=test1; d=earthlink.net; h=Message-ID:Date:From:User-Agent:X-Accept-Language:MIME-Version:To:CC:Subject:Content-Type:Content-Transfer-Encoding; b=Fy4zamIR1+UflFzJpxymF+gZoYc2Xeu/N8UWEy/9P277qBiUI8YZMBousCpGpVHs;
- User-agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.7.2) Gecko/20040804 Netscape/7.2 (ax)
Tom Ball knows of which he speaks, as does Scott Dirks.
For history buffs, there is a great story about Bill Putnam of Universal
Recording in Chicago, by Robert Campbell, Professor of Psychology at
Clemson Univerisity, Clemson, SC. Robert's interest is in the history of
recording, and in this case covers Vitacoustic and Universal Sound,
which did eventually get heavily into the blues artists of the day. But
- note that Vitacoustic was originated solely to promote the latest
sound - The Harmonicats - when Bill Putnam recognized a market.
======
Says Robert: Vitacoustic made its first releases in April 1947.
Vitacoustic 1, "Peg o' My Heart" by the Harmonicats, and Vitacoustic 2,
"Malaguena" by the same trio, were reviewed in Billboard on April 12,
1947. They were featured at the top of the list of records deemed "most
likely to achieve popularity." The reviewer commented that "Mouth
organing was highlighted by a unique echo chamber effect giving depth
and glucose which helps to cover up other technical flaws." On "Peg," a
"string guitar finish[ed] off measures with echoed notes." "Record biz
has seen everything but a harmonica platter hit--this might be the baby
to do it." As was expected from a record that had already moved 100,000
copies locally ("Disk has created a mild panic in Chicago and St. Louis
at this writing, and looks to spread fast"), "Peg o' My Heart" entered
the national charts on April 26, 1947.
======
Relative to that, following is a letter to me, dated December 28, 2004,
from famed Chicago DJ, Eddie Hubbard, who unknowingly "discovered" The
Harmonicats in February 1947:
"I still feel very fortunate to have been a part of The Harmonicats success.
The story is that they had just finished recording two songs at
Universal Recording Studios which was two blocks away from my radio
studio. Within a short time they brought in an acetate of each song. I
needed a short song to end the first hour of my show and saw that Peg
was just short enough so I played it first.
I never had a chance to play the second song because the switchboard lit
up like a sky rocket. I have never to this day seen such instant
reaction to a song or artists. It was overwhelming.
I remember those guys fondly. They were top notch people." - Eddie Hubbard
<>
Ref:
http://hubcap.clemson.edu/~campber/vitacoustic.html
http://hubcap.clemson.edu/~campber/index.html
http://www.harmonicats.com/history2.htm
Lots of reading, but tons of history - have fun.
Danny
--
BassHarp
PO Box 5061
Hudson, FL 34674-5061
http://www.bassharp.com/ace.htm
http://www.bassharp.com/bh_itin.htm
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.