Subject: [Harp-L] asking to sit in
- To: harp-l <harp-l@xxxxxxxxxx>
- Subject: Subject: [Harp-L] asking to sit in
- From: Sylvia & Fred <fsstov@xxxxxxxxxxxxxx>
- Date: Fri, 18 Mar 2005 22:07:35 -0600
- User-agent: Mozilla/5.0 (Windows; U; Win98; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 (ax)
--- In harp-l-archives@xxxxxxxxxxxxxxx, Bob Cohen <bcohen@xxxx> wrote:
>> I'm going to see Little Charlie and the Nightcats tonight. They are
one
>> of my favorite bands. It would be a dream come true to sit in with
them
>> for a number. Does anyone know how they feel about that sort of
thing?
======================
FWIW, I saw Little Charlie & the Nightcats in a small club a few years
ago. At the break I chatted with Rick a few minutes, and once he knew I
was a harp player, he asked me "How do I sound in the mix?" When I
replied that it sounded a little muddy to me, he asked that I go back to
the sound man and see if I could get him to clean up the mix a little.
I went back and relayed Rick's request and my opinion to the sound man
(who looked at me like I had snakes crawling out of my ears). If I say
so myself, it did sound a little better in the 2nd set.
So I have "sat in" with Little Charlie and the Nightcats - as an
audience member. What Rick asked me to do was definitely the best (and
probably only) thing I could do to add to the show. Unless you are one
of the top 25 harp players in the US, I agree with Sonnytone - don't
even think about it. (If you have to ask, you can't afford it.) I
assume you also think it would be ok to ask the Yankees if you could
pitch batting practice? If you want to jam with the best, go to a SPAH
or a Jam Camp where it's expected and accepted. Don't put the
performers in the uncomfortable position of politely declining - even
though I am sure they are pros at it. It's tough enough making a living
on the gig circuit without having to deal with that. My 2 cents - enjoy
the show.
Fred S
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