Re: [Harp-L] Blowing out a harp (was Sound of Hohner)
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Blowing out a harp (was Sound of Hohner)
- From: Steve Macmillan <steviemacmillan@xxxxxxxxx>
- Date: Fri, 4 Mar 2005 15:47:08 -0800 (PST)
- Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=nj+IVMxoaK0I5U/EdPukhvBfd3a2HDHZBEuVCwlrpHn3eqy8JtbmZXD/JUDwOMRMaL4fV9pCMsOM/M6P2DCl6VylTvr6FTc5PoIiZxNFZR5StbLZTeJ5V1WkomZfq/34kN9+b9tkhyGs43J26d03U7lwTla9CXaVBkbquBpbQKE= ;
- In-reply-to: <4228EB09.70804@fractal.art.br>
I also found Mike's analsys interesting.
It's been a long time since I've gigged on a regular
basis, but my experience was very similar to Mike's.
4 and 5 draw were the reeds that died most often in my
experience (with 6 draw next) on my A and D harps.
I always attributed this to the frequency that I used
these reeds/keys in my playing. I probably used a
three or six blow (in second position) more for
resolution during a solo, but really pulled on these
draw reeds.
>Bresslau <bresslau@xxxxxxxxxxxxxx> wrote:
> Hi, Mike. Your analysis was delightful, thanks. It
> is a pitty, though,
> that it is unfeasible for a player to measure how
> many hours he has
> played on each harmonica, but, anyway, interesting.
> The info that I find
> most interesting is about the reeds that go south.
> Has anyone else also
> written down which reeds die more often?
>
> All the best,
> Fernando
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.