[Harp-L] Re: Keys for Bob Dylan songs

[Eric Brown <eric_brown1998@xxxxxxxxx>]

--- harp-l-archives@xxxxxxxxxxxxxxx wrote:

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> There are 4 messages in this issue.
> Isabelle,

This link should give you all you are looking for.
Good luck!

http://www.dylanchords.com/harp/harpkeys.htm

Eric in L.A.

> Topics in this digest:
> 
>       1. [Harp-L] Keys for Bob Dylan songs
>            From: "Isabelle Knight"
> <iknight@xxxxxxxxxxxxx>
>       2. [Harp-L] Favorite Quote
>            From: "Wally Walters"
> <bigwally@xxxxxxxxxxxx>
>       3. Re: [Harp-L] Favorite Quote
>            From: "Larry L. Ravlin"
> <sheepdip@xxxxxxxxxx>
>       4. Re: Re: [Harp-L] Paddy Richter for Blues?
>            From: Ken Ficara <kenficara@xxxxxxxxx>
> 
> 
>
________________________________________________________________________
>
________________________________________________________________________
> 
> Message: 1         
>    Date: Wed, 12 Jan 2005 20:21:23 -0000
>    From: "Isabelle Knight" <iknight@xxxxxxxxxxxxx>
> Subject: [Harp-L] Keys for Bob Dylan songs
> 
> I think someone posted a link to a text file that
> listed out the keys
> for all Bob Dylan songs that had hormonica on. It
> also stated which
> position he was playing in. Does anyone have that
> anymore? A hard-disc
> crash  and an inedaquate paper filing system has led
> me to lose my copy.
>  
> Thanks,
>  
> Isabelle
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
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> 
> 
>
________________________________________________________________________
>
________________________________________________________________________
> 
> Message: 2         
>    Date: Wed, 12 Jan 2005 14:48:20 -0600
>    From: "Wally Walters" <bigwally@xxxxxxxxxxxx>
> Subject: [Harp-L] Favorite Quote
> 
> "There are only two choices in the world, Terror or
> hope."
>                                                     
>   - Jeff "the Dude" 
> Dowd 
> 
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
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> 
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> 
> Message: 3         
>    Date: Wed, 12 Jan 2005 13:09:54 -0800
>    From: "Larry L. Ravlin" <sheepdip@xxxxxxxxxx>
> Subject: Re: [Harp-L] Favorite Quote
> 
> 
> "I can't say after closing tonight, my wife is going
> to get pregnant and I'd
> like to be there when it happens"
> 
> 'Lawrence the Magnificent'
> 
> 
> ----- Original Message -----
> From: Wally Walters <bigwally@xxxxxxxxxxxx>
> To: post <harp-l@xxxxxxxxxx>
> Sent: Wednesday, January 12, 2005 12:48 PM
> Subject: [Harp-L] Favorite Quote
> 
> 
> > "There are only two choices in the world, Terror
> or hope."
> >                                                   
>     - Jeff "the Dude"
> > Dowd
> >
> > _______________________________________________
> > Harp-L is sponsored by SPAH, http://www.spah.org
> > Harp-L@xxxxxxxxxx
> > http://harp-l.org/mailman/listinfo/harp-l
> >
> >
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> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
> 
> 
>
________________________________________________________________________
>
________________________________________________________________________
> 
> Message: 4         
>    Date: Wed, 12 Jan 2005 16:48:05 -0500
>    From: Ken Ficara <kenficara@xxxxxxxxx>
> Subject: Re: Re: [Harp-L] Paddy Richter for Blues?
> 
> I play a lot of fiddle-tunes tongue-blocked, to add
> some rhythm to the
> melody by doing quick lifts on the upbeat. However,
> if you play
> melodies in the top octave of the harp, you can't
> tongue-block for
> rhythm on the draw notes, because you'll end up
> playing the
> 6-draw/7-draw combo, the 6th and 7th notes of the
> scale in first
> position, which sounds terrible. This is the only
> spot on the harp
> where you don't get a chord by playing adjacent
> holes together.
> Therefore I'm sometimes torn between playing very
> fast and clean
> melody notes in the top half of the harp (where you
> have that nice
> 6-draw) or playing melodies and rhythm on the bottom
> half but having
> to bend 3-blow to get the missing note down there.
> 
> I am NO expert on harmonica tunings, but it seems to
> me impossible to
> tune 6-draw or 7-draw so that you'd get a chord when
> playing them
> (along with the other adjacent draw notes) but still
> be able to play a
> melody that descended below 7-blow.
> 
> I really want to have my harmonica cake and eat it
> too, but I'm sure
> the reason the damn thing is laid out that way is
> that there's no
> alternative that makes sense. It's like the B string
> on the guitar.
> 
> Ken
> 
> On Wed, 12 Jan 2005 19:36:41 -0000, Winslow Yerxa
> <winslowyerxa@xxxxxxxxx> wrote:
> > 
> > --- In harp-l-archives@xxxxxxxxxxxxxxx, Ken Ficara
> <kenficara@xxxx>
> > wrote:
> > <snip>
> > 
> > In fact I've often wished I had a tuning that
> would let me do
> > tongue-blocking over the nasty 6-7 draw area, but
> I don't think that's
> > possible without seriously impairing the ability
> to play melodies.
> > 
> > ========Winslow writes:
> > 
> > Wondering what you mean by the above - please
> amplify.
> > 
> > W.
> > 
> > 
> > _______________________________________________
> 
=== message truncated ===



		
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