[Harp-L] Re: overblow practice question
My first reaction to the original question,
now that I can play both overblows & overdraws what am I going to do with them ?
would have been something like ; try playing the circle of 4th 's ( G, C , F, Bb, Eb, Ab etc. )
using the major scales but always starting on the tonic note of the instrument i.e. Harp in C ;
G major scale plays C Lydian, C D E F# G A B
O.B. on the 5
C major scale plays C Ionian, C D E F G A B
F major scale plays C Myxolydian, C D E F G A Bb
O.B. on the 6
Bb major scale plays C Dorian, C D Eb F G A Bb
O.B. on the 1, 4 and 6
Eb major scale plays C Aeolian, C D Eb F G Ab Bb
O.B. on the 1, 4 and 6. O.D. on the 9
Ab major scale plays C Phrygian, C Db Eb F G Ab Bb
O.B. on the 1, 4 and 6. O.D. on the 7 and 9
Db major scale plays C Locrian, C Db Eb F Gb Ab Bb
O.B. on the 1, 4, 5 and 6. O.D. on the 7 and 9
Here we run into trouble - no more modes - So let's "Flat the One" and start again
What would be;
Gb major scale plays Cb Lydian, Cb Db Eb F Gb Ab Bb
O.B. on the 1, 4, 5 and 6. O.D. on the 7 and 9
Becomes;
F# major scale plays B Lydian, B C# D# E# F# G# A#
O.B. on the 1, 4, 5 and 6. O.D. on the 7 and 9
If you've got this far you'll want to work the rest out for yourself!
But on second thoughts, I think that I've missed the real point of the question.
A better answer would have been more on the lines of ;
Chicken Shack (Ike Turner) second position O.B. 5
Blue Monk, (Thelonious Monk) second position O.B. 5 & 6
I'd give you the tab's but I'm afraid of being accused of incitement to make music by
The Performing Rights Society
Yours Mox
(Membre du SACEM)
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