Re: [Harp-L] Butter's "missing" Work Song note (was cannonball adderly)
- To: Planet Harmonica <lists@xxxxxxxxxxxxxxxxxxx>, John Kerkhoven <solo_danswer@xxxxxxxxxxxx>, harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Butter's "missing" Work Song note (was cannonball adderly)
- From: Mojo Red <harplicks@xxxxxxxxx>
- Date: Wed, 14 Dec 2005 06:14:29 -0800 (PST)
- Cc:
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- In-reply-to: <00d001c60076$1b8352d0$0c6f790a@generic>
Okay, but that means it's the ~same~ note in the
same part of the song, right? So, outside of the
fact that I got guessed the wrong ~position~, I was
right about which note was missing.
Thanks, Ben!
Harpin' in Colorado,
--Ken M.
--- Planet Harmonica <lists@xxxxxxxxxxxxxxxxxxx>
wrote:
> Nope !
>
> Butter played it in 2ndpos, so it was actually a
> 5 OB missing.
>
> Ben FELTEN
> http://harmonica.typepad.com
> ----- Original Message -----
> From: Mojo Red
> To: John Kerkhoven ; harp-l@xxxxxxxxxx
> Sent: Wednesday, December 14, 2005 4:26 AM
> Subject: [Harp-L] Butter's "missing" Work Song
> note (was cannonball adderly)
>
>
> Hi John,
>
> I've attempted to play the Work Song on short
> harp
> and I think the missing note would require a 7
> overdraw to "get it right." Least ways, when I
> play
> it in 3rd position, that's the case. Did Butter
> do
> it in 3rd? If so, that's likely the cause of
> the
> stir. It is certainly the reason I mainly cover
> it
> with a button harp.
>
> Here's some make-shift tab for the Work Song in
> 3rd
> on short harp.
>
> 4 4 5 6+ 6 6 6+ 6 7+
> 4 4 5 6+ 5 4 4 4+ 4
>
> 4 4 5 6+ 6 6 6+ 6 7+
> 6 6 6 7+ 6 7+OD 6
>
> 8 6 7+ 6 6+ 6 5 5 4 4+ 4 4+
> 4 4 5 6+ 6' 6+ 5 6+ 5 4
>
> 4+ 4 6+ 6
> 4 4 6 6+
>
> 6 6+ 5 6+ 5 4 4+ 4
>
> I'm thinking that pesky 7OD is the note that
> Butter
> avoided, as did William Clarke when he covered
> it
> (even though he did it using a chromatic).
>
> Hope this helps. Not totally sure whether I'm
> right
> though as I don't have Butter's version on hand
> to
> verify.
>
> Harpin' in Colorado,
> --Ken M.
>
>
>
> --- John Kerkhoven <solo_danswer@xxxxxxxxxxxx>
> wrote:
>
> > The recent discussion about Butterfield
> included
> > a post by fjm in regards to
> > "work song" and butterfield missing a note. i
> > have loved the butterfield
> > since i first heard it, so i was wondering,
> > "what's wrong with the way Paul
> > plays?"
> >
> > I resisted posting this question until i dug
> up
> > the original -- or at least
> > Cannonball Adderly's version, as the song is
> > credited to "Nat" Adderly, not
> > Julian "Cannonball" Adderly.
> >
> > And as that tidbit of information suggests, I
> > have dug up Adderly's version.
> > And then a friend lent me another Adderly
> disk.
> >
> > Holy Smokes! I chastised my friend for not
> > lending me Adderly sooner.
> >
> > The two disks I have listened to are
> "Cannonball
> > in Europe" and "Cannonball
> > Adderly: The Capitol Years". There's a
> grooving
> > Pop Staples song on "The
> > Capitol Years" called "Why Am I Treated So
> Bad".
> > "Walk Tall" is another
> > treat. Both these albums are great from
> beginning
> > to end.
> >
> > And yes, Butterfield's phrasing on "Work
> Song" is
> > not the same as Adderly's.
> >
> > If you say "So What?" I suggest you listen to
> > Adderly's version. If you have
> > listened to Adderly's version and still say
> "So
> > What?" then we are at a
> > crossroads.
> >
> > All the same, god bless Butterfield.
> >
> > John
> >
> >
> >
> _______________________________________________
> > Harp-L is sponsored by SPAH,
> http://www.spah.org
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> >
>
>
>
>
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