Re: Fwd: [Harp-L] Butterfield and Race
- To: Winslow Yerxa <winslowyerxa@xxxxxxxxx>, "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
- Subject: Re: Fwd: [Harp-L] Butterfield and Race
- From: <peacoatguy@xxxxxxxxx>
- Date: Wed, 7 Dec 2005 15:05:59 -0800 (PST)
- Cc:
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- In-reply-to: <dn7e8a+oaif@eGroups.com>
Hi Winslow,
First of all, I'm not even a U.S. citizen, Winslow. I'm a European citizen with a European passport (the new bergundy colored European Union one). But, I confess - I'm married to an African-American woman. (OMG, is he really, he's kidding, right? OMFG)
If I'm being U.S.-centric, it's because if given the choice between listening to Big Walter, or a Sousa marching band, I'll be listening to Walter (or holding my jacket over my ears).
I also listen to a lot of Portugese fado, like Maritza and Amalia Rodriquez....classical Irish music, Peruvian & Bolivian panpipe, reggae, zouk and jing ping from the Caribbean.
They're all good in their own way. None of these usually with harmonica (which in American English is more correctly called the "harp"). No marching bands though. No militaristic music of any kind.
If you know of some great kinds of music with harp (harmonica) that you can turn me on to, I'll be receptive to learning something new (although I am truly an old dog) and thank you for it...
regards,
peacoatguy
Winslow Yerxa <winslowyerxa@xxxxxxxxx> wrote: --- In harp-l-archives@xxxxxxxxxxxxxxx,
wrote:
The harmonica was an uninspiring German toy-instrument, toy, until
African-American descendants of slaves got hold of it.
======Winslow:
How completey U.S.-centric this statement is. (No, I won't say America-
centric as the Americas include something like 20 nations and even more
distinct cultures).
Harmonica traditions have existed in a variety of cultures, some of
them quite sophisticated. Have you listened to enough of them that you
feel you can back up this sweeping pronouncement?
Winslow
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