[Harp-L] melodic minor modes was Dorian & Reassembled LO's .doc
"CHARLES BASSI" <jeanchar50@xxxxxxx> wrote, <This is the note layout that resulted:
Blow D F A D F A D F A D
Draw E A C# E G B C#E G B
I'm not sure what I've got here, other than a D melodic minor scale (ascending) in holes 4 through 7.>
Hang On to Your Hat!
1st position 1st mode; Tonic = 4 blow
D ascending melodic minor, also known as 'Jazz minor'
Scale degrees ; 1 2 b3 4 5 6 7 -
Chord type; minor M7.
2nd position 5th mode; Tonic = 6 blow
A Aeolian Major
Scale degrees ; 1 2 3 4 5 b6 b7 -
Chord type; b7 b13
3rd position 2nd mode; Tonic = 4draw
E Javanais
Scale degrees ; 1 b2 b3 4 5 6 b7 -
Chord type; min b7 b9
4th position 6th mode; Tonic = 6draw
B Locrian Natural 2
Scale degrees ; 1 2 b3 4 b5 b6 b7 -
Chord type; min. b7 alt5
5th position 3rd mode; Tonic = 5 blow
F Lydian Augmented
Scale degrees ; 1 2 3 #4 5 6 7 -
Chord type; b7#11
6th position 7th mode; Tonic = 3 draw
C# Superlocrian
Scale degrees ; 1 b2 b3 b4 b5 b6 b7 -
Chord type; Alt
12th position 4th mode; Tonic = 5 draw
G Lydian Dominant also known as the Bartok scale
Scale degrees ; 1 2 3 #4 #5 6 7 - chord type; M7 alt5
All these scales/modes are used in jazz improvisation. You will find the same scales/modes on a regular C Richter by playing a C# instead of the C natural.
My only advise is to get used to the "sound" or should I say "color" of each one - especially the Lydian Dominant - and keep checking in the mirror for when that second head starts pushing thru.
Mox http://jmredon.free.fr/monsitewebebcountryblues/entree.htm
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