Re: [Harp-L] breaking in marine bands
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] breaking in marine bands
- From: Paul Bowering <paul_bowering@xxxxxxxxx>
- Date: Mon, 15 Aug 2005 14:18:43 -0700 (PDT)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:Received:Date:From:Subject:To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=bNUPZANvzYzXh2vXk6D0r6zdPMW+WcOrsrj4ptfxuEd+4bhGG7dFScyr3zHSb7URcdKO5u7X7jg+Gjwz9I7tfanCjEhP1OQTOWehMEg1/2Mlq9rS6SBwvSTzJvREsRHizhKO+Fg1pQoXyaftKtFrkujt5vGv0fqrteN2V6yMo3o= ;
I've respected Vern's objective approach to issues for
awhile so it was nice to see myself challenged on a
particular point by his reason. I'm not ready to
entirely concede however. Says Vern:
>It is very unlikely that a break-in period affects
>the reeds themselves. If there were any "loosening
>up" of the reeds, it would certainly affect pitch.
>For example when the metal begins to fatigue >it
"loosens up" and the reed goes flat.
If a reed at the point of failure has a 'loose or
'mushy' feel doesn't that jive with our theory? The
opposite situation is a fresh new reed which might be
too stiff. The ideal is the middle in which a reed has
been played enough to be somewhat pliable and allow
for smooth bends but still have some life left.
Paul
____________________________________________________
Start your day with Yahoo! - make it your home page
http://www.yahoo.com/r/hs
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.