Fwd: Re: [Harp-L] A question
- To: harp-l@xxxxxxxxxx
- Subject: Fwd: Re: [Harp-L] A question
- From: "Winslow Yerxa" <winslowyerxa@xxxxxxxxx>
- Date: Wed, 10 Aug 2005 16:16:30 -0000
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--- In harp-l-archives@xxxxxxxxxxxxxxx, Pablo Basso <soplete@xxxx>
wrote:
If I took an asian harp, (like folkmaster) and waxing the rivets. it
will be a good sound on overbends?.
====Winslow.
Could work fine. Asian harps sometimes squeak more easily than
others, making high-pitched ringing noises. But this does not always
happen/
======Pablo
another question: How can i know if a harp is equal or compromised
tuning?
====Winslow
Certain models are produced in certain tunings. Hohner literature
will tell you which ones are in which tuning. GOlden Melody is equal
tuned. Most others are in a compromise tuning.
Lee Oskars are equal tuned.
I don't know about Suzuki. You may be able to check their online
information, or someone here may know.
I believe most Herings are just-tuned. Just gives great chords but
can make draw 5 sound very flat - sounds great in a chord but not so
great as a melody note. There are different kinds of just tuning that
help with this by using a more elaborate mathematical model.
==========Pablo
Now I´m practicing overblows. I set off de coverplates and start to
proof the choking and resonate the draw reed. All OK. But when I set
on
the coverplates, I can make the 6 overblow to sound, but is so much
difficult to sound the 4 and 5. I can make to sound the overdraws
(7, 8
and 9) more easily than the 4 and 5 overblows, even when in theory
is
so much difficult to make the overbends.
===========Winslow
This is all part of the learning process. I get the impression that
higher pitched notes - OB6, OD7, 8, 9 - are easiler for you. It may
be that your mouth naturally creats a resonant chamber that favors
these higher-pitched notes. It may take careful work for you to learn
to create the conditions for the lower pitched overblows to sound.
It might also help to adjust the profile of the reeds - the curve and
angle at which the reed rises away from the reedplate from the rivet
to the tip.
Winslow
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